Art News. Vasari Codex

museum exhibitions schedule Feb 9, 2026 visibility 34 link 62 artists, 25 galleries

New York Galleries: Openings and Closings (02/09-02/15)

A comprehensive list of gallery exhibitions opening and closing in New York City for the week of February 9-15, 2026, has been published. The schedule includes openings at major galleries like Gagosian, Hauser & Wirth, and Matthew Marks, featuring artists such as Michael Heizer, Felix Gonzalez-Torres, and Anish Kapoor, alongside shows at smaller spaces. The list also notes the final weekend to see exhibitions at venues including Tanya Bonakdar Gallery and Alexander Gray Associates.

newspaper La Voce di New York open_in_new Read original

museum exhibitions schedule May 1, 2026 visibility 18 link 5 artists

"Consequences of being" at The FLAG Art Foundation by Daniel Belasco

Deborah Roberts presents her newest body of work in the exhibition "Consequences of being" at The FLAG Art Foundation, featuring eight canvases and nine mixed-media works on paper that blend collage, painting, and drawing. The works explore the postcolonial landscape of Europe and Africa, using fragmented imagery of Black children against stark-white backgrounds to address themes of colonialism, commerce, and identity. Key pieces include "Have a seat, this may take a while" (2025), which incorporates miniature sailing ships and a collaged tiara from Queen Elizabeth II, and "Hands in the air," which critiques racist packaging from a German ice cream company. The exhibition also includes a series of eight collages titled "Many thousands gone" and a sculptural edition, "Zuri," a ceramic bust with metallic glaze.

newspaper artforum.com open_in_new Read original

museum exhibitions schedule Apr 14, 2026 visibility 17 link 1 artist

Consequences of Being and the Process of Becoming.

Deborah Roberts’s solo exhibition, 'Consequences of Being,' at The FLAG Art Foundation showcases a significant evolution in her practice, featuring new large-scale paintings, works on paper, and her debut in ceramic sculpture. Her signature collage-based figures are presented as fragmented, composite bodies that challenge fixed notions of Black identity and subjecthood. By blending archival imagery with vernacular signage, Roberts explores how colonial legacies and historical narratives continue to influence the perception of Black bodies across the globe.

newspaper ART AFRICA open_in_new Read original