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Simply divine: the extraordinary supernatural visions of Francisco de Zurbarán

Francisco de Zurbarán, one of the three great Spanish 17th-century painters alongside Velázquez and Murillo, is finally receiving his first solo exhibition in the UK at the National Gallery in London. The show highlights his distinctive style of religious painting, characterized by stark chiaroscuro, sculptural realism, and a meditative stillness that makes the immaterial seem tangible. Works such as his crucified Christ and The Apparition of Saint Peter to Saint Peter Nolasco exemplify his ability to depict visions and inner spirituality, often commissioned by powerful religious foundations in Seville during the Counter-Reformation.

art bites sistine chapel michelangelo critics 2718347

The article recounts the creation and controversy surrounding Michelangelo's fresco of the Last Judgement on the west wall of the Sistine Chapel. While the chapel attracts 25,000 daily visitors and is celebrated as a pinnacle of Renaissance art, the west wall initially provoked scorn from church officials and critics like Biagio da Cesena and Pietro Aretino, who objected to its nudity, pagan imagery, and perceived idolatry. Michelangelo retaliated by painting his detractors into the fresco—Da Cesena as King Minos with donkey ears and a snake biting his genitals, and Aretino as Saint Bartholomew holding flayed skin resembling the artist.

bernini the ecstasy of saint teresa 2659785

Gian Lorenzo Bernini's iconic Baroque sculpture *The Ecstasy of Saint Teresa* (1647–1652) is examined in detail, depicting the Spanish Carmelite nun Saint Teresa of Ávila in a moment of divine rapture as an angel pierces her heart with a golden arrow. The artwork, housed in the Cornaro Chapel at Santa Maria della Vittoria in Rome, was commissioned by Cardinal Federico Cornaro and remains one of Bernini's most celebrated and controversial masterpieces, blending theatricality, religious fervor, and virtuosic marble carving.