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Exhibit Review: Revolution! 250 Years of Art and Activism in Boston – Museum Studies Blog at Tufts University

The Boston Public Library in Copley Square has opened "Revolution! 250 Years of Art and Activism in Boston," its first major exhibition in nearly a decade. The show uses a deliberately unfinished design of plywood and scaffolding to symbolize democracy as a work in progress, moving chronologically from the American Revolution through the 21st century. It features engravings by Paul Revere, portraits of George Washington and Benjamin Franklin, works addressing Toussaint L’Ouverture and Haitian revolution, Boston abolitionists, the Civil War, civil rights leaders Martin Luther King Jr. and Malcolm X, and contemporary activism including Indigenous, LGBTQ+, climate, and anti-police brutality movements.

Winterthur’s ‘Almost Unknown’ offers immersive look at Black history and art

Winterthur Museum in Delaware has opened a new exhibition titled "Almost Unknown: The Afric-American Picture Gallery," which brings to life a fictional gallery imagined in 1859 by Black writer and schoolteacher William J. Wilson, writing under the pseudonym Ethiop. In a series of columns for the magazine "The Anglo-American," Wilson described an imaginary museum of Black history and art, featuring works like a depiction of a slave ship, a bust of poet Phillis Wheatley, and images of Crispus Attucks and Haitian Revolution heroes. Curator Jonathan Square has transformed Wilson's fantasy into an immersive, haunted-attraction-style exhibition using objects from Winterthur's collection, with dark lighting, sound effects, and false walls that evoke a carnival ride inspired by Jordan Peele films and "The Shining."