ancient egyptian relief disappears saqqara necropolis 1234756038

A 4,000-year-old limestone relief depicting the three seasons of the ancient Egyptian calendar has been stolen from the Saqqara necropolis near Cairo. The relief, measuring 16 by 24 inches, was cut from the wall of a Fifth Dynasty tomb belonging to high-ranking official Khenti Ka using an electric saw. Egypt's Ministry of Tourism and Antiquities reported the theft on Sunday, and an archaeological committee has been formed to inventory the tomb's contents while the matter is under investigation by the Public Prosecution.

From Agnès Varda to Giuseppe Penone, the strange passion of artists for potatoes deciphered in Aubenas

D’Agnès Varda à Giuseppe Penone, l’étrange passion des artistes pour les patates décryptée à Aubenas

The article explores the exhibition "Des patates" at Le Château – Centre d'Art Contemporain et du Patrimoine in Aubenas, France, which celebrates the humble potato as an artistic subject. It highlights how filmmaker and visual artist Agnès Varda turned potatoes into art with her 2003 Venice Biennale project "Patatutopia," dressing as a potato and scattering 700 kilos of tubers, inspired by her documentary *Les Glaneurs et la glaneuse*. The show also features works by Giuseppe Penone, Michel Blazy, Valérie Geissbühler Pacheco, and Lucas Chanoine, all using potatoes to explore themes of consumption, waste, colonialism, and the cycle of life.

Zhang Huan’s 125 Newbury Show Is Not for the Weak

Zhang Huan has unveiled a provocative new solo exhibition at 125 Newbury in New York, featuring a series of visceral works that utilize unconventional materials like cowhide and incense ash. The show centers on the artist's career-long exploration of the body, spirituality, and the cycle of life and death, anchored by large-scale sculptural paintings that challenge the viewer's sensory boundaries.

Diego Gualandris “Floralia” at ADA, Rome

Diego Gualandris presents "Floralia" at ADA gallery in Rome, an exhibition that explores themes of growth, nature, and human intervention through a poetic lens. The show features works that evoke the cycle of life and decay, using floral motifs to reflect on the fragility of existence and the tension between natural processes and external forces.

Kanitha Tith’s “Cycle of Life” at SNA Arts Management

Cambodian artist Kanitha Tith presents "Cycle of Life" at SNA Arts Management in Phnom Penh, a solo exhibition reflecting on nearly two decades of abstract practice. The show features her signature woven steel-wire sculptures, ink paintings created using metal strings as tools, and an oneiric video work titled "Boding" that explores the memory of the now-demolished White Building.