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hilmas ghost mta commission grand central 2645040

Feminist art collective Hilma's Ghost, composed of artists Dannielle Tegeder and Sharmistha Ray, inaugurated a 600-square-foot mosaic mural titled "Abstract Futures" at the 42nd Street entrance to the 7 train in Manhattan's Grand Central Station. The unveiling, held during Frieze Week, included a ritual where the artists chanted whispers into the colorful glass artwork to charge it with spiritual energy. The collective, which began working together during lockdown, draws inspiration from Swedish spiritual painter Hilma af Klint and debuted at New York's Armory Show in 2021. The mosaic, commissioned by MTA Arts and Design and fabricated by Miotto Mosaic Art Studios, incorporates symbolism from tarot cards.

A Century of Esoteric and Occult Artistry in “A Queer Arcana” at Palm Springs Art Museum

The Palm Springs Art Museum has unveiled "A Queer Arcana," an ambitious exhibition exploring the intersection of LGBTQ+ culture, occultism, and esoteric spirituality. Spanning the 20th and 21st centuries, the show features a diverse array of media—including a major four-banner commission by the collective Hilma’s Ghost—and is organized into thematic sections such as Tarot, Sex Magick, and healing. The project emerged from the museum’s Q+Art initiative, a unique program dedicated to queer art histories within a general art museum context.

laura raicovich circus of life counterpublic 2650113

Writer and curator Laura Raicovich is organizing a weekend-long festival called the "Circus of Life" in St. Louis, Missouri, taking place October 24–26 at the Big Top circus grounds in the Grand Center Arts District. The event is part of Counterpublic, a triennial civic exhibition founded in 2019 by James McAnally, and will feature artists, writers, theater groups, performers, and activists. Raicovich leads a team of four "ringleaders" including Kenneth Bailey, Galen Gritts, Jeanne van Heeswijk, and Nontsikelelo Mutiti, with additional participants such as Chloë Bass, Hilma's Ghost, and Kameelah Janan Rasheed. The program includes performances by Bread and Puppet Theater, conversations with Roxane Gay and Nermeen Shaikh, workshops, a parade, and communal meals, all free and open to the public.

Josh Kline Misses the Mark

Critic Aruna D’Souza responds to a viral essay by artist Josh Kline regarding the extreme financial pressures of living and working in New York City. While Kline suggests that artists should abandon the city due to the affordability crisis, D’Souza argues that leaving is not a viable long-term solution and calls for a more proactive approach to systemic change within the urban art ecosystem.

Elucidating the Esoteric with Hilma's Ghost

The feminist art collective Hilma’s Ghost, founded by artists Dannielle Tegeder and Sharmistha Ray, is reclaiming the role of alternative spiritualities and the occult within art history. Sparked by the 2018 Hilma af Klint retrospective at the Guggenheim, the collective emerged during the COVID-19 pandemic as a research-based project that bridges artmaking with esoteric practices like tarot, witchcraft, and neo-tantric cosmologies. Through workshops and collaborative paintings, the duo explores how women and queer artists have historically been erased from the canon due to their unconventional, mystical methods.

hilmas ghost feminist witch collective 2007316

At the Armory Show in New York, psychic medium Sarah Potter is offering tarot card readings at the booth of Chicago's Carrie Secrist Gallery using a deck designed by the feminist art collective Hilma's Ghost. The collective, formed during lockdown by abstract artists Dannielle Tegeder and Sharmistha Ray, created "Abstract Futures Tarot," a series of 78 gouache, ink, and colored pencil paintings inspired by pioneering abstractionist Hilma af Klint and the Rider–Waite tarot deck by Pamela Colman Smith. The works, priced at $4,000 each, are the result of 500 hours of collaborative painting, and the deck is also sold in a limited edition of 300, with 215 already sold.

Jean Shin’s Living Memorial to the Trees of Green-Wood Cemetery

Artist Jean Shin unveiled a new site-specific earthwork titled "Offering" (2026) at Brooklyn's Green-Wood Cemetery on April 18. The installation, situated in a meadow facing the cemetery's gates, consists of a long, oval-shaped mound of soil covering two felled oak trees. The work was inspired by traditional Korean tumulus burial mounds and involved a community ritual led by a Korean shaman, with volunteers planting wildflowers and shrubs on the mound.