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F.E. McWilliam Gallery & Studio presents 100 Years of British and Irish Art – A Fermanagh Collection

The F.E. McWilliam Gallery & Studio in Northern Ireland has opened "100 Years of British and Irish Art: A Fermanagh Collection," a landmark exhibition showcasing the private art collection of the Earl and Countess of Belmore. Curated by William Laffan and Riann Coulter, the show spans five decades of collecting and features works by Irish painters such as Paul Henry, Norah McGuinness, and Basil Blackshaw, alongside British modernists like David Bomberg and Ceri Richards, as well as contemporary artists including Brian Ballard and Philip Flanagan. The exhibition runs until January 31, 2026, with free admission.

F.E. McWilliam Gallery & Studio presents 100 Years of British and Irish Art – A Fermanagh Collection

The F.E. McWilliam Gallery & Studio in Northern Ireland has opened "100 Years of British and Irish Art: A Fermanagh Collection," a landmark exhibition showcasing the private art collection of the Earl and Countess of Belmore. Curated by William Laffan and Riann Coulter, the show spans five decades of collecting and features works by Irish painters such as Paul Henry, Norah McGuinness, and Basil Blackshaw, alongside British modernists including David Bomberg and Ceri Richards. The collection, rooted in the historic Castle Coole estate, was shaped by the Belmores' friendships with artists, particularly Enniskillen-born T.P. Flanagan. The exhibition runs until January 31, 2026, with free admission.

New book highlights Vorticism’s toxic side—and puts its women pioneers back in the frame

A new book by Canadian art historian James King, titled "Our Little Gang," examines the Vorticist movement, highlighting its toxic internal dynamics and the marginalization of its female pioneers. King details how Wyndham Lewis, the movement's self-appointed leader, belittled followers like Jessica Dismorr and Helen Saunders, even painting over one of Saunders' works. The book also explores the movement's artistic tensions, balancing abstraction with representation, and features works by Lewis, David Bomberg, and Saunders.