The Hirshhorn Museum and Sculpture Garden has launched the "50 for 50" loan program, a landmark initiative to disperse over 200 artworks from its collection to museums in all 50 U.S. states and Puerto Rico. Major works by artists like Jackson Pollock, Georgia O'Keeffe, and Willem de Kooning will be loaned for up to five years, with a focus on reaching underserved and rural communities.
Artnet News published its quarterly analysis of the most exhibited living artists at over 250 U.S. museums in March 2025, identifying more than 3,700 artists. The top artist is photographer Cara Romero, who appears in multiple museum shows including a major retrospective at the Hood Museum at Dartmouth College. Three of the six most featured artists have Native American backgrounds, reflecting a surge in exhibitions celebrating Indigenous art. The list excludes the late Jaune Quick-to-See Smith, a Native painter and curator who died in January 2025 at age 85 and would have ranked highly.
A global celebration marks the centennial of Robert Rauschenberg's birth on October 22, 1925, with a bumper program of exhibitions at major museums including the Museum of the City of New York, the Guggenheim in New York, the Walker Art Center in Minneapolis, the Virginia Museum of Fine Arts, Des Moines Art Center, the Menil in Houston, Museum Ludwig in Cologne, and M+ in Hong Kong. The article highlights eight key facts about Rauschenberg's life and career, from his early use of the G.I. Bill to study art in Paris and at Black Mountain College, to his rebellion against teacher Josef Albers, and his invention of the "Combines"—radical painting-sculpture hybrids that broke with Abstract Expressionism and predicted Pop Art.
Firelei Báez presents her first New York exhibition with Hauser & Wirth, featuring a constellation of new paintings, works on paper, and large-scale bronze sculptures across two floors of the gallery's 22nd Street location. The show includes 'View of Nature' (2026), an eight-panel painting based on John Emslie's 1852 engraving, alongside bronze ciguapa figures from Dominican folklore and a series of monumental works on paper that explore atmospheric and cosmic themes.
Hauser & Wirth is hosting a launch event during the opening weekend of Firelei Báez's solo exhibition 'Feet squelching on wet grass, nourished by uncertainty' at its 22nd Street gallery in Chelsea, celebrating the release of Ursula issue No. 16. The issue features a portfolio by Báez titled 'The Earth That Remains,' a cover story on collector Eileen Harris Norton, and contributions on Elsa Schiaparelli, Christopher Harris, Alice B. Toklas, and LACMA director Michael Govan. The free event includes Casa Dragones tequila and access to Báez's exhibition alongside 'Carol Rama. I See You You See Me.'
David Kordansky Gallery in Los Angeles is presenting a two-person exhibition featuring the work of Elizabeth Murray and Betty Woodman, on view from March 19 to April 25, 2026. The show brings together paintings and ceramic sculptures from 1982 to 2015, highlighting the artists' shared exploration of the space between two and three dimensions, shaped canvases, and wall-mounted forms.
New York's fall auction week in November 2025 saw major houses Sotheby's, Christie's, and Phillips collectively bring in over $2 billion, signaling renewed market confidence after an uneven spring. The top lot was Gustav Klimt's *Portrait of Elizabeth Lederer* (ca. 1914–16), which sold for $236.36 million at Sotheby's—the second-highest price ever paid at auction and a new record for the artist. Other notable records included Frida Kahlo's *El sueño (La cama)* (1940), which became the most expensive artwork by a woman artist sold at auction, fetching $54.66 million. In total, 16 new artist auction records were set during the week.
New York City's autumn art scene features a diverse array of exhibitions across major museums. At the Metropolitan Museum of Art, "Man Ray: When Objects Dream" showcases 60 rayographs alongside 100 paintings and prints, exploring the artist's camera-less photography technique. The Brooklyn Museum presents "Monet and Venice," placing 19 of Monet's Venetian paintings in dialogue with works by John Singer Sargent and others, while also hosting "Breaking the Mold: Brooklyn Museum at 200," a retrospective on the institution's two-century history. The New York Historical Society offers "The Gay Harlem Renaissance," highlighting queer Black artists and writers of the Harlem Renaissance, and "The New York Sari," examining South Asian women's fashion influence since the Gilded Age.
This article presents Robert Moore's "Lil' Lucy Figure" (2022), a mold-injected vinyl sculpture measuring 8 × 3 3/20 × 3 inches, available through APC Gallery in Miami Beach and Los Angeles. The work is hand-signed by the artist, comes with a certificate of authenticity, and is part of Moore's "Lil Lucy" series. Moore, a self-taught multidisciplinary artist born in 1983 in Des Moines, Iowa, creates paintings, sculptures, and installations that explore mental health, Black identity, and social justice, drawing on personal biography, art-historical references, and American iconography.
Ben Millett, a quilt maker based in Des Moines, Iowa, is presenting his first solo exhibition of quilts at the Des Moines Art Center as part of the Iowa Artists 2025 series. The show, on view through November 2, features approximately 20 quilts that explore themes of queer identity, pop culture, and the practice of quilting itself. Millett draws on Abstract Expressionism, Color Field painting, and queer abstraction, using solid-color fabrics inspired by the Progress Pride flag to create works that navigate transitions and nuance.
The Buffalo AKG Art Museum has announced a major upcoming exhibition titled "Let Us Gather in a Flourishing Way," featuring fifty-eight contemporary Latinx artists. Curated by Andrea Alvarez, the show examines how artists from the Latin American and Caribbean diaspora are redefining the traditions of painting while challenging political and disciplinary boundaries. After its debut in Buffalo in March 2026, the exhibition will embark on a national tour to Des Moines, Phoenix, and Seattle.
A selection of 15 pieces from the Waterloo Center for the Arts' Haitian art collection—the largest publicly held collection of its kind in the United States—is now on display at the Des Moines Art Center through summer 2025. The exhibition, titled "Light with Ourselves: Haitian Art in Iowa," includes paintings, metalwork, ritual objects, and beaded sequined banners called drapo, co-curated by Elizabeth Gollnick of the Des Moines Art Center and Chawne Paige of the Waterloo Center for the Arts. The collection began with a donation from F. Harold Reulin and his wife and has grown to over 2,000 pieces since 1977.