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detroit institute of arts dia 1976 ad spot remake 2732440

The Detroit Institute of Arts (DIA) has released a 50th-anniversary remake of its iconic 1976 television commercial, "You Gotta Have Art." The original spot, created by advertising agency W.B. Doner & Co., featured museum staff, volunteers, and local performers singing and dancing among masterpieces. The new version, directed by DIA's Director of Visual Media Adam Kosberg, recreates the original shot-for-shot, incorporating updated choreography, a Motown-influenced arrangement by Detroit musicians Marion Hayden and Alvin Waddles, and appearances by local artists including Carole Harris and Allie McGhee, who reprised their roles from the 1976 film. Over 200 museum employees and performers from Wayne State University participated in the production.

the detroit museum of arts confronts art history while wrestling with its future 1234762292

The Detroit Institute of Arts (DIA) has reinstalled its African American galleries, moving them from the back of the museum to a prominent location beside Diego Rivera's iconic "Detroit Industry Murals" (1932–33). The reinstallation is framed by a quote from Alain Locke's 1925 essay "The Legacy of the Ancestral Arts," envisioning the museum as an instrument of cultural education and repair. Complementing this is "Contemporary Anishinaabe Art: A Continuation" (through April 5), the first comprehensive survey of art from the Indigenous inhabitants of the Great Lakes region. The DIA began collecting African American art in 1943 and in 2001 became the first US museum to name a curator devoted to that field, Valerie J. Mercer, who still serves as curator and head of African American art.

These Are the 44 Best Art Museums in the U.S. Right Now

Time Out has published a list of the 44 best art museums in the U.S., ranking institutions like the Museum of Modern Art (MoMA), the Whitney Museum of American Art, and the Metropolitan Museum of Art (The Met) at the top. The article highlights each museum's collection highlights, architectural features, and visitor tips, with prices and recommendations for immersive experiences.

Valerie Mercer and the Long Work of Putting African American Art Where It Belongs

Valerie Mercer, the lead curator of African American art at the Detroit Institute of Arts (DIA), has spent over two decades building a collection that now includes more than 700 works. Last fall, the museum unveiled a major reinstallation titled "Reimagine African American Art," moving African American art from scattered locations to the heart of the institution, near Diego Rivera's Detroit Industry Murals. The rehang traces a lineage from 19th-century painters like Robert S. Duncanson to modern innovators like Sam Gilliam, covering key cultural movements such as the Harlem Renaissance and the Black Arts Movement.

Detroit Institute of Arts' new African American galleries open Saturday

The Detroit Institute of Arts opens its new African American art galleries, titled “Reimagine African American Art,” to the public on Saturday. The installation features 50 works displayed across four galleries in a central location adjacent to Rivera Court, organized by the museum’s Center for African American Art. The galleries present a chronological narrative of African American history from 1840 to 1986, covering key periods and themes such as the Harlem Renaissance, Social Realism, the Civil Rights era, and the Black Arts Movement.

Exhibition Of Contemporary Anishinaabe Art At Detroit Institute Of Arts

The Detroit Institute of Arts (DIA) has opened "Contemporary Anishinaabe Art: A Continuation," a major exhibition featuring over 60 Anishinaabe artists from Michigan and the Great Lakes region. The show, running from September 28, 2025, to April 8, 2026, includes nearly 100 contemporary artworks and was sparked by a request from artist Kelly Church, whose black ash top hat was donated to the DIA in 2020. Church collaborated with DIA Assistant Curator Denene De Quintal and a Native advisory board—the "Council of the Three Fires"—to select artists, blending established figures like Frank Big Bear and George Morrison with lesser-known artists receiving their first major institutional exposure.

Hallie Ford Museum of Art showcases Oregon’s foremost Modernist painter with ‘C.S. Price: A Portrait’

The Hallie Ford Museum of Art in Salem, Oregon, has opened 'C.S. Price: A Portrait,' a retrospective exhibition of more than 40 works by Clayton Sumner Price, a Modernist painter who helped shape America’s view of the West. The show was organized by Roger Saydack, a retired attorney and self-taught scholar who first encountered Price’s painting 'The Fisherman' as a boy at the Detroit Institute of Arts and spent decades researching the artist. It runs through August 30 and is the first solo exhibition of Price’s work in over 25 years, accompanied by a 312-page catalog.