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ghantous artworks customs tariffs 2639204

A shipment of artworks by artist Sam Ghantous, destined for a New York exhibition at YveYang Gallery, has been detained at Newark Airport by U.S. Customs. The works, which include prints on silicon wafers, contain materials similar to those used in microchips, leading to potential confusion over trade regulations. The exhibition, titled "your golf course made my GPU," explores the global supply chain of sand and raw materials used in technology. Gallery manager Erica Kyung reported the delay, and the artist noted that the wafers are non-functional and cannot be used in computers.

Humid Traces

Humid Traces, curated by Federico Pérez Villoro, is an exhibition at an unnamed New York venue that examines how bodies of water are weaponized as borders amid climate change and extreme weather. The show features international artists—including Dele Adeyemo, Natalia Lassalle-Morillo, Zishaan A Latif, Caio Reisewitz, Susan Schuppli, Marisa Srijunpleang, Studio Folder, and Leonel Vásquez—whose works in installation, sound, photography, video, and data visualization reveal the violent effects of migration-control technologies and water's material memory.

lisbeth sachs switzerland pavilion venice architecture biennale 2652948

The Swiss Pavilion at the 2025 Venice Architecture Biennale pays tribute to Lisbeth Sachs (1914–2002), one of Switzerland's first licensed women architects, by recreating her 1958 kunsthalle design inside the pavilion originally built by Bruno Giacometti. The exhibition, titled "Endgültige Form wird von der Architektin am Bau bestimmt," is curated by an all-woman team—Elena Chiavi, Kathrin Füglister, Amy Perkins, Axelle Stiefel, and Myriam Uzor—and resurrects a structure Sachs built for the 1958 Swiss Exhibition for Women's Work (SAFFA) in Zürich, of which almost no trace remains today.

Zurich: Peripheral Presence. by Tibor Bielicky and Ellena Ehrl

Zurich’s urban landscape is defined by functionalist structures from the 1990s and early 2000s that serve as the 'understated backdrop' to daily life. These buildings, including the Signal Box by Gigon Guyer and the Telecap 2000 by Hans Ulrich Imesch, act as navigational markers at the city’s geographic choke points. Despite their significance in shaping the city's rhythm and internal choreography, many of these structures are now reaching the end of their first lifecycle and face the threat of demolition due to real estate speculation.