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romare bearden digital catalogue raisonne 1234764015

The Wildenstein Plattner Institute (WPI) and the Romare Bearden Foundation have launched the first installment of a digital catalogue raisonné for the artist Romare Bearden, covering his work from 1964 to 1969. The project, which began in earnest in 2017, has so far documented 3,000 artworks, including 210 in this initial chapter, and has uncovered previously unknown works such as a portrait of artist Edmonia Lewis. The research builds on three decades of archival work by the foundation, which digitized Bearden's ephemera to aid in tracking down works he often gave away informally.

The Incredible Story of Edmonia Lewis, America’s First Black and Indigenous International Art Star

The Peabody Essex Museum has launched "Edmonia Lewis: Said in Stone," the first-ever retrospective dedicated to the 19th-century sculptor who was the first Black and Indigenous American artist to achieve international fame. Curated by Shawnya L. Harris and Jeffrey Richmond-Moll, the exhibition is the culmination of seven years of research and detective work to locate surviving marble sculptures and archival fragments. The show tracks her journey from her early life as "Wildfire" to her education at Oberlin College and her eventual professional success in Boston and Rome.

30 Iconic Feminist Works By Women Artists

ARTnews has expanded its list of iconic feminist works by women artists, adding 15 new entries to a previous selection. The article highlights specific pieces, such as Edmonia Lewis's *The Death of Cleopatra* (1876), Mary Cassatt's *The Reader* (1877), and Alice Pike Barney's *Medusa* (1892) and *Lucifer* (1902), providing historical context for each artist and their contribution to feminist discourse through art.

8 Must-See Museum Shows Celebrating Overlooked Women Artists

This article highlights eight museum exhibitions scheduled for fall 2025 that focus on historically overlooked women artists. Featured shows include "Nancy Elizabeth Prophet: I Will Not Bend an Inch" at Spelman College, "Toshiko Takaezu: Worlds Within" at the Chazen Museum of Art, and "Edmonia Lewis: Indelible Impressions" at the Cantor Arts Center, among others. Each exhibition aims to bring renewed attention to artists who faced racial and gender barriers, such as Afro-Indigenous sculptor Nancy Elizabeth Prophet, ceramicist Toshiko Takaezu, and 19th-century sculptor Edmonia Lewis.

Edmonia Lewis Was the Earliest Known Black Artist to Depict Emancipation. This Is Her First Retrospective.

The Peabody Essex Museum is hosting "Said in Stone," the first-ever comprehensive retrospective dedicated to Edmonia Lewis, a pioneering 19th-century sculptor of Black and Ojibwe heritage. The exhibition assembles a significant body of her marble works, including the landmark sculpture "Forever Free" (1867), which is recognized as the first formal visual representation of emancipation by a Black American artist. The show traces her journey from her upbringing with her Ojibwe family and her traumatic years at Oberlin College to her eventual success as an expatriate artist in Rome.

the hunt edmonia lewis death of cleopatra statue 2564366

Edmonia Lewis’s monumental marble sculpture, 'The Death of Cleopatra', debuted to massive acclaim at the 1876 Centennial Exhibition in Philadelphia before vanishing into a bizarre century-long obscurity. After failing to sell, the two-ton masterpiece transitioned from Chicago saloons to a racetrack—where it served as a grave marker for a horse—and eventually sat neglected at a shopping mall construction site, exposed to vandalism and the elements.

Plan Your Travel Year: 8 Art Shows Worth Traveling for This Year

Major museums across the United States are launching significant exhibitions in 2026, including retrospectives of Frida Kahlo in Houston and Nick Cave in Washington, D.C., and a landmark show on sculptor Edmonia Lewis in Salem. These shows are part of a broader cultural moment, with many institutions mounting exhibitions to coincide with the nation's 250th anniversary, aiming to reframe art historical narratives and highlight previously overlooked artists.

Museum Storytellers: Three Art Scholars Curate Exhibitions at the North Shore’s World-Class Museum

The Peabody Essex Museum (PEM) in Salem is highlighting the work of its curatorial team, specifically focusing on how Lydia Peabody, Lan Morgan, and Ruthie Dibble are revitalizing the institution's collections. A primary focus is the exhibition 'Edmonia Lewis: Said in Stone,' where Peabody integrated contemporary photography and video by artist Gisella Torres to create a dialogue with Lewis’s 19th-century neoclassical marble sculptures. Other initiatives include Lan Morgan’s 'Beyond the Broom' project, which uses short films to showcase a community-focused perspective of Salem beyond its 'witch city' reputation.

Black Artists Featured in Monet to Matisse Exhibition at Birmingham Museum of Art

The Birmingham Museum of Art (BMA) has opened its presentation of the traveling exhibition "Monet to Matisse: French Moderns, 1850–1950," which features over 100 masterworks from the Brooklyn Museum. Uniquely, the BMA version includes more than 40 additional works from its own collection, among them paintings by two Black American artists—Henry Ossawa Tanner and Charles Ethan Porter—who lived and worked in France during the period. Curator Dr. Maggie Crosland emphasized the importance of including these artists to highlight the contributions of Black Americans to French modernism, especially given the political climate that drove many to Paris between 1850 and 1950.

Guest column | At the nation’s galleries, celebrations of selfhood, joy and renewal

Major American art institutions are undergoing a significant shift in perspective, prioritizing themes of diversity, selfhood, and renewal in their programming. This evolution is evidenced by the Los Angeles County Museum of Art’s total re-evaluation of its permanent collection display in anticipation of its new building, alongside a wave of exhibitions featuring contemporary voices like Derrick Adams and Nick Cave, and retrospectives for historical figures such as Edmonia Lewis and Isamu Noguchi.

February e-bulletin

Bowdoin College Museum of Art (BCMA) announces the reopening of its upper-level galleries (Assyrian, Shaw-Ruddock, Walker, and Markell) on February 3, 2026, following floor refinishing and reinstallation projects, with additional galleries (Bowdoin, Boyd, Rotunda) set to reopen in March. Three new exhibitions are now on view in the lower-level galleries: "Josefina Auslender: Drawing Myself Free," "Hung Liu: Happy and Gay," and "From Guild to Genius: Inventing 'The Artist' in Western Culture." The museum also highlights the acquisition of Anna Boberg's painting "The Blue Roof [Det blå taket]," a loan of an Edmonia Lewis sculpture to the Peabody Essex Museum for the exhibition "Edmonia Lewis: Said in Stone" opening February 14, 2026, and an upcoming artist talk with Samira Abbassy.

The must-see exhibitions of 2026: from Duchamp in New York to Baldessari in Beijing

The article previews major art exhibitions scheduled for 2026, highlighting two standout shows. At Basel's Fondation Beyeler, a Cezanne exhibition from January to May will focus on the artist's later works, featuring around 60 oil paintings and 20 watercolours, half from private collections. Highlights include a privately owned oil study of 'The Bathers' (around 1902-06) and 'The Boy in the Red Vest' (1888-90), with curator Ulf Küster emphasizing Cezanne's fragmentary, radical perspective. Separately, the traveling exhibition 'Edmonia Lewis: Said in Stone' will premiere at the Peabody Essex Museum in February, showcasing 30 sculptures by the 19th-century Black and Indigenous artist, organized after a 2016 acquisition by the Georgia Museum of Art spurred curators to track down her works.

What’s new this season at Stanford art museums

Stanford University's Cantor Arts Center and the Anderson Collection are opening a diverse slate of exhibitions for fall and winter. Highlights include "Shahzia Sikander: Collective Behavior," the first major solo show of the museum's Asian American Art Initiative, featuring 44 works spanning the Pakistani-American artist's 30-year career, including mosaics, paintings, sculptures, and a digital animation. The Anderson Collection presents Alteronce Gumby's first West Coast museum exhibition, showcasing nine mixed-media works that use paint, glass, and semi-precious stones to create cosmic perspectives. Other shows include "Edmonia Lewis: Indelible Impressions" and "Cunning Folk: Witchcraft, Magic and Occult Knowledge."

Exhibition Of Contemporary Anishinaabe Art At Detroit Institute Of Arts

The Detroit Institute of Arts (DIA) has opened "Contemporary Anishinaabe Art: A Continuation," a major exhibition featuring over 60 Anishinaabe artists from Michigan and the Great Lakes region. The show, running from September 28, 2025, to April 8, 2026, includes nearly 100 contemporary artworks and was sparked by a request from artist Kelly Church, whose black ash top hat was donated to the DIA in 2020. Church collaborated with DIA Assistant Curator Denene De Quintal and a Native advisory board—the "Council of the Three Fires"—to select artists, blending established figures like Frank Big Bear and George Morrison with lesser-known artists receiving their first major institutional exposure.

13 Art Exhibitions You Don’t Want To Miss This Fall

This fall, galleries and museums across the United States are presenting a series of exhibitions centered on Black life, ranging from historic pioneers to contemporary voices. Highlights include Athi-Patra Ruga's immersive installation 'Lord, I gotta keep on (movin')' at the Leslie-Lohman Museum of Art, which imagines a queer Black nation called Azania; 'Edmonia Lewis: Indelible Impressions' at Stanford's Cantor Arts Center, showcasing the 19th-century sculptor's Neoclassical works; and 'Data Consciousness: Reframing Blackness in Contemporary Print' in New York, inspired by W. E. B. Du Bois's data visualizations. Other notable shows include 'A Taste of Beauty' at the Crocker Art Museum, featuring carved African spoons, and the reopening of the Studio Museum in Harlem, alongside the global energy of Art Basel Miami Beach.

Reattributing a Portrait Bust by Edmonia Lewis

A marble portrait bust by 19th-century sculptor Edmonia Lewis, previously known only as a portrait of an unidentified woman, has been reattributed to depict social reformer Ednah Dow Littlehale Cheney. The bust, held by the Bowdoin College Museum of Art, will be included in the upcoming national touring exhibition "Edmonia Lewis: Said in Stone," opening at the Peabody Essex Museum in February 2026.