Why Do the Women Have to Be Naked?

"Warum müssen die Frauen nackt sein?"

A series of cultural controversies highlight growing tensions between artistic freedom and political pressure. In Germany, cultural minister Wolfram Weimer faces criticism for opaque funding decisions and alleged interference in jury processes, with critics arguing this undermines artistic freedom and free speech. Simultaneously, the European Media Art Festival in Osnabrück defends filmmaker Basma al-Sharif against accusations of antisemitism, illustrating how cultural funding can become a test of political ideology.

"Du bist nun in die ewigen Jagdgründe der Kunst entschwunden"

This week's art news roundup covers several stories: Jonathan Meese publishes an obituary for his mother Brigitte Meese in Der Spiegel, describing her as a central figure in his life and work. Pussy Riot seeks to take over the Russian Pavilion at the Venice Biennale. The European Media Art Festival (EMAF) in Osnabrück faces controversy over antisemitism allegations linked to Palestinian-American filmmaker Basma al-Sharif, leading the city and state government to distance themselves from the festival. In the NZZ, Christian Wildhagen reports on conflicts over official political portraits, citing examples like Swiss councilor Martin Neukom rejecting paintings and Donald Trump criticizing his portrait. Art historian Horst Bredekamp pays tribute to Italian philosopher Federico Vercellone (1955–2026) in the FAZ, highlighting his theory of the 'self-activity of form.'