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museum exhibitions schedule Apr 29, 2026 visibility 24 link 4 artists, 2 galleries

Artists take a satirical look at the financial crisis in a new London show

Three emerging artists—Jenna Bliss, Buck Ellison, and Jasmine Gregory—present a multi-media exhibition titled 'Genuine Fake Premium Economy' at London’s Institute of Contemporary Arts (ICA). The show satirically examines the societal and economic fallout of the 2008 financial crisis, using works that critique capitalism, inheritance, and art-world stereotypes. Gregory repaints Patek Philippe ads to expose class structures, Bliss films a fictional art fair that blurs reality and fiction, and Ellison creates lightboxes for a fictional private bank, manipulating corporate language and philosophy.

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museum exhibitions schedule May 13, 2026 visibility 6 link 3 artists, 3 galleries

Tony Cokes “SM BNGR2” at FELIX GAUDLITZ, Vienna

Tony Cokes' solo exhibition "SM BNGR2" at FELIX GAUDLITZ in Vienna centers on club culture as a space for celebrating life through love, desire, queerness, music, art, aesthetics, and moving bodies. The show de-marginalizes club culture by examining its significance for subcultures, activist movements, and political resistance through the lens of writers and academics.

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museum exhibitions schedule May 6, 2026 visibility 16 link 6 artists

This ICA Exhibition Skewers Art’s Culture of Capitalism

The Institute of Contemporary Art (ICA) has opened a new exhibition titled "Genuine Fake Premium Economy," featuring works by artists Jenna Bliss, Buck Ellison, and Jasmine Gregory. Curated by Nicole Leong, the show critiques the culture of capitalism within the art world, using appropriation and mimicry to highlight contradictions and hypocrisies. The artists, all born in the mid-1980s in the United States, came of age professionally after the 2008 financial crisis, and their works incorporate advertising imagery, reality television, luxury brand aesthetics, and private wealth management vocabulary. Bliss's video works include a scripted reality TV episode set in an art fair booth before the crash, while Ellison has invented a fictional private bank called Orlo & Co., and Gregory reproduces Patek Philippe advertisements with the watches erased.

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