Art News. Vasari Codex

museum exhibitions schedule Mar 4, 2026 visibility 7 link 12 artists, 1 gallery

art cynthia hawkins painter black abstraction

Cynthia Hawkins, a 76-year-old Black abstract painter, discusses her latest work and career in an interview with Cultured. She describes her ongoing "Maps Necessary for a Walk in 4D" series, which began in 1979, and her current exploration of a new iteration called "Fielding Space" or "Maps Fielding Space." Hawkins will be featured in the upcoming "Hard Art" exhibition at MoMA PS1 opening November 5, which places her work alongside over 40 other Black abstract artists including Sam Gilliam and Carolyn Lazard. She reflects on her early art experiences, from learning to draw Mickey Mouse with her father to rejecting paint-by-numbers, and her enduring fascination with color, particularly orange and yellow.

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article local schedule Aug 4, 2025 visibility 3 link 22 artists, 3 galleries

best outdoor new york activities

This article from Cultured magazine highlights seven outdoor art and performance activities in New York City for summer 2024. It covers MoMA PS1's Warm Up dance party series featuring monumental sculptures by Yto Barrada, Socrates Sculpture Park's annual fellows exhibition themed "Up/Rooted," Little Island's adventurous performance series including works by Suzan-Lori Parks and Laurie Anderson, Wave Hill's 60th-anniversary installations with Yoko Ono's wish tree and works by Monica Duncan and Sarah Jimenez, the Beach Sessions Dance Series on Rockaway Beach, and SummerStage NYC's music performances in Central Park.

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article policy schedule Mar 12, 2026 visibility 14 link 1 artist, 1 gallery

Comment | Why museum leadership needs to decentralise

Aindrea Emelife argues that the traditional model of museum leadership, centered on a single, heroic director, is buckling under contemporary pressures. She calls for a shift away from this top-down, individualistic structure towards a decentralized, collaborative model that distributes authority.

newspaper The Art Newspaper open_in_new Read original

article culture schedule Feb 11, 2026 visibility 15 link 1 artist, 1 gallery

Fever Pitch: On Bourgeois Coldness by Henrike Kohpeiß

The article is a critical essay analyzing Henrike Kohpeiß's new book, 'Bourgeois Coldness,' which examines the concept of coldness as an affective strategy of the bourgeois subject. Kohpeiß traces this subjectivity from its mythological roots in Homer's Odyssey to its modern manifestations, arguing that it is forged in and sustained by structures of racial exploitation and colonial power, despite claims of abolition.

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museum exhibitions schedule Feb 26, 2026 visibility 7 link 8 artists

art basel abbas ruanne abou rahme brown bell gallery

An exhibition titled "Prisoners of Love: Until the Sun of Freedom" by artists Basel Abbas and Ruanne Abou-Rahme is on view at the Bell Gallery at Brown University until May 31. The show centers on a historical misattribution: the poem "Enemy of the Sun," found in the cell of Black Panther George Jackson after his 1971 murder, was long thought to be his work but was actually written by Palestinian poet Samih al-Qasim. Through a video installation featuring interviews with former political prisoners in Palestine, the artists explore what they call "radical kinship" between Black radical thinkers in the U.S. and Palestinian activists. Curators Kate Kraczon and Thea Quiray Tagle, who were terminated from Brown last December, collaborated on the project, which also draws on archival research into mass incarceration.

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article culture schedule Jul 8, 2025 visibility 8 link 3 artists

Rhea Anastas

Rhea Anastas, an art historian, critic, and curator, publishes a critical essay challenging the dominance of market-driven values in contemporary visual art. She argues that the art world's focus on auction prices, luxury investment, and professional categorization has obscured the true purpose of artistic practice, which she sees as rooted in experimental culture, Black culture, performance, and film. Anastas condemns the past two decades as marked by dishonesty, particularly regarding how art history and criticism have been built on white-on-Black dispossession and violence. She calls for an end to the commodification of artists' lives and works, advocating instead for attention to non-visible practices, critique, and embodiment.

newspaper The Brooklyn Rail open_in_new Read original