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Tuan Vu Paints Vietnam Through the Haze of Memory and Imagination

Self-taught Vietnamese artist Tuan Vu presents his solo exhibition "Annam" at Kristin Hjellegjerde Gallery in Berlin, featuring paintings that blend memory, imagination, and history. The show includes works such as *Tranquil South* (2026), *A Usual Day* (2026), and *The Official Portrait* (2026), which explore Vu's childhood recollections of Vietnam and the country's colonial past. Vu, who relocated from Ho Chi Minh City to Quebec, Canada, for his studies and now resides there, uses the exhibition's title to reference the term used for Vietnam during Chinese and French colonial periods, highlighting the distance and interpretive nature of memory.

May Arts Calendar 2026

The May Arts Calendar 2026 highlights a wide range of visual art exhibitions and events in the Seattle area, including group and solo shows at galleries such as Gallery B612, Visual Arts Gallery No. 85, JG Art Gallery, Piano Nobile, ArtXContemporary Gallery, and Common Objects. Notable exhibitions include "Layered Being: A Celebration of AAPINH Heritage" at Gallery B612, "Moving As One" by Tetsuo Aoki, "Material Meditations" featuring woodworker Andy McConell, blacksmith Maria Cristalli, and mixed media artist Jill Kyong, and "TADAIMA: 'I'm Home'" at MOHAI, which explores Japanese American history through dolls. The calendar also features a solo show by Yaminee Patel and a group show titled "Moga" at Fresh Mochi, celebrating Japanese and Japanese American artists.

La nature morte : une exposition novatrice

Le Journal des Arts reports on a new exhibition titled "La nature morte" (Still Life), presented by a gallery as a continuation of its previous monographic shows on Boetti and Burri and the thematic exhibition "On Fire." The exhibition focuses on the classical genre of still life, positioning it as a field of experimentation that accompanies the renewal of painting in the 20th century. It brings together three artists—Picasso, Morandi, and Parmiggiani—who, though not from the same school or direct lineage, each explore the subject through distinct artistic languages: Picasso asserts the presence of the object, Morandi delves into its meditative and silent dimension, and Parmiggiani pushes the reflection toward a form of disappearance. The show is curated by Cécile Debray, president of the Musée national Picasso-Paris, and involves collaborations with institutions such as the Museo Morandi.

Bruges’s new city art gallery BRUSK opens on Friday

Bruges' new city art gallery, BRUSK, opens on Friday in a substantial new building designed by architects Robbrecht and Daem and Olivier Salens. Located in the museum quarter, the gallery features two enormous first-floor exhibition spaces and a light, open ground floor. It debuts with two simultaneous exhibitions: 'Breedbeeld' ('Wide Angle'), a historical show curated by Oxford professor Peter Frankopan and Sibylla Goegebuer, exploring Bruges' medieval global connections through 250 objects including Hans Memling's 'The Passion of Christ'; and 'Latent City', a data-driven installation by Turkish-American artist Refik Anadol that delves beneath the city's surface.

THE MET GETS A NEW GREAT HALL BY PETERSON RICH OFFICE

Peterson Rich Office (PRO) has designed a new Great Hall Gallery for the Metropolitan Museum of Art, occupying 12,000 square feet across five sequential rooms in a former exterior courtyard adjacent to the landmark Great Hall. The renovation exposes and celebrates historic exterior façades from the 1880s and 1890s, creating a layered architectural experience. The space is intended to host rotating exhibitions, particularly the Costume Institute's annual spring show, and is currently under construction.

Art Beat feature: A gallerist rooted in craft

Leana Hoadley has opened Hoadley Gallery West in downtown Edmonds, Washington, a boutique gallery specializing in handmade ceramics, jewelry, glass, and sculptural objects. The gallery builds on the legacy of the original Hoadley Gallery in Lenox, Massachusetts, founded over 40 years ago by her aunt and uncle, Stephanie and Thomas Hoadley. After a winding career that included studying at the School of the Museum of Fine Arts in Boston and working as a creative director for an AI company, a 2023 layoff prompted Hoadley to reassess her path and pursue opening her own gallery. The space features works including porcelain vessels by Thomas Hoadley made using the ancient Japanese Nerikomi technique, which are held in collections such as the Smithsonian American Art Museum's Renwick Gallery and the Museum of Fine Arts, Boston.

Hall Art Foundation Opens Season With Three Major Exhibitions

The Hall Art Foundation is reopening its Vermont campus for the 2026 season with three major exhibitions running through November 29. The centerpiece, "A Farewell to the Western World," is a group show of roughly 70 works exploring global power shifts and political instability, featuring artists such as Ai Weiwei, Aleksandra Mir, and Philip Guston. Also on view are Christian Marclay's video installation "Made To Be Destroyed," which compiles film scenes of artworks being damaged or destroyed, and Piotr Uklański's photographic installation "The Nazis," examining how film and popular culture have shaped representations of the Third Reich. The campus, set on a former dairy farm in Reading, includes converted gallery buildings and outdoor sculptures by Olafur Eliasson, Antony Gormley, Richard Long, and Marc Quinn.

Auntiescapes at Load Gallery asks: Can the hyperreal impact social reality?

The article covers the exhibition 'Auntiescapes' at Load Gallery in Barcelona, featuring the work of Singaporean artist Wenhui Lim, who works under the moniker niceaunties. The show includes a central AI-powered mirror that transforms viewers into the face of an Asian auntie, offering blunt, loving remarks, alongside surreal digital landscapes like Auntlantis and Auntiecity that reimagine aunties as protagonists in fantastical worlds. Lim, a former architect, uses AI and editing software to create these hyperreal, expansive works.