Julian Ehrlich, a 29-year-old auction specialist known for curating Christie's "Post-War to Present" sales, has joined Gladstone Gallery as a director. At Christie's, he generated over $28 million in a single sale, set records for artists like Ana Mendieta and Ed Clark, and championed overlooked figures such as Joe Overstreet and Rick Lowe. He previously worked in Sotheby's postwar and contemporary art department.
The article reviews an exhibition of Sam Gilliam's work at the Irish Museum of Modern Art (IMMA) in Dublin, focusing on 23 works from the 1990s that highlight his use of sewing and stitching. Gilliam, a relentless experimenter who died in 2022, is known for moving from hard-edged stripe paintings to draped, unstretched canvases that blurred painting and sculpture. This show reveals a lesser-known aspect of his practice: patchwork-like assemblages of painted and printed canvas pieces held together by visible machine stitching, often incorporating photographic imagery of botanical forms. The works originated from a 1993 residency in Ballinglen, County Mayo, where Gilliam shipped pre-painted canvases from Washington, D.C., and had a seamstress sew them together.
The Georgia Museum of Art has opened a new exhibition titled "We, Too, Are Made of Wonders," on view from January 24 to June 28, 2026. Inspired by Ada Limón's poem "In Praise of Mystery," the show brings together poetry, astronomy, science, and visual art to explore humanity's fascination with the cosmos. It features historic, modern, and contemporary works from the museum's permanent collection, including pieces by Dorothy Hood, Mildred Thompson, Lamar Dodd, Robert McCall, and others. Poems guide visitors through themes of wonder, science, mythology, and space exploration, with several works on view for the first time.