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new yorker covers marilyn minter awol erizku 1234751997

The New Yorker has commissioned six contemporary photographers—Marilyn Minter, Awol Erizku, Ryan McGinley, Collier Schorr, Camila Falquez, and Alex Prager—to reimagine historical illustrated covers for the magazine’s centennial. Each photographer created a celebrity portrait inspired by a past cover, such as Erizku’s photo of Spike Lee as Eustace Tilley and Minter’s recreation of a 1925 cover featuring actress Sadie Sink. The project marks only the third time in the magazine’s history that photography has been used for its cover.

Corazón Cafe’s Chingonas gallery honors ‘badass women’ through art

Corazón Cafe in downtown San Luis Obispo hosts an annual art gallery called "Chingonas" during March and April, celebrating Women's History Month. The gallery, curated by co-owner Sara McGrath, features around 20 participants ranging from ages 5 to 85, displaying works that honor "badass women"—from famous figures like Alexandria Ocasio-Cortez and Gloria Steinem to everyday family members. The term "Chingonas" is a reclaimed Mexican-Spanish slang for strong, independent women.

"Dispossessions in the Americas" Confronts the Colonialism That Invades All Territory

The article reviews "Dispossessions in the Americas," a group exhibition at Wrightwood 659 in Chicago curated by Jonathan D. Katz and Eduardo Carrera. Featuring works from 1960 to 2025, the show examines colonial legacies in the Americas, focusing on the forced dispossession of land, culture, and language from indigenous, Afro-descendant, queer, and trans communities. The review critically questions how a polished, architecturally prestigious venue can coherently display art about socially voiceless communities without falling into voyeurism or fetishization of pain.