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From royal visitors to extortionate eBay sales: new book offers rare behind-the-scenes glimpse of Vermeer blockbuster

The Rijksmuseum's 2023 Vermeer exhibition, widely considered the most successful show of the century, drew 650,000 visitors and assembled 28 of the artist's 37 known paintings. A new book, *Closer to Vermeer: New Research on the Painter and his Art*, published by Thames & Hudson, offers an unprecedented behind-the-scenes account of how the exhibition was organized. The book reveals that curators Pieter Roelofs and Gregor Weber initially planned a broader thematic show before deciding to focus solely on Vermeer. It details the challenges of securing loans—nine paintings were missed, including *The Concert* (stolen in 1990) and *The Astronomer* (on loan to Louvre Abu Dhabi)—and notes that the Herzog Anton Ulrich Museum declined to lend *Girl with a Wine Glass*, even rejecting an offer of buses for schoolchildren. The book also discloses that the Dutch royal family and the Queen of Belgium visited during regular hours, and that over 3,500 complaints were filed about photography. The most expensive resold ticket on eBay reached $2,724.

Seeing double: Vermeer painting and its mysterious ‘twin’ go on show in London

Kenwood House in London has opened a new display, "Double Vision: Vermeer" (1 September 2025 – 11 January 2026), pairing Vermeer's "The Guitar Player" (1672) from its own collection with its mysterious "twin," "Lady with a Guitar," on loan from the Philadelphia Museum of Art. The exhibition reignites a century-old debate over which painting is the original, as the Philadelphia version has long been questioned since the Kenwood version emerged in 1927. Recent scientific analysis reveals differences in ground layers and pigment use—the Kenwood painting features ultramarine while the Philadelphia version uses cheaper indigo—and experts like former Rijksmuseum specialist Gregor Weber suggest the Philadelphia work may be an early copy.