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‘It is not good or bad’: in a frantic age, Beeple seeks a more nuanced take on technology

Digital artist Mike Winkelmann, known as Beeple, is expanding his practice beyond the record-breaking NFT sale of *Everydays: The First 5,000 Days* (2021) into interactive video sculptures and public art. His latest works, *The Tree of Knowledge* (2024) and *Diffuse Control* (2025), debut this month at SXSW London and The Shed in New York, respectively. These generative pieces allow ongoing collaboration between artist, owner, and public, building on his earlier kinetic sculpture *Human One* (2021), which has toured globally. Beeple continues his daily social media posts (Everydays) as a form of satire and commentary on technology and media noise.

‘Fully Immersive’ Beeple Survey Lands in Silicon Valley

Digital artist Mike Winkelmann, known as Beeple, is launching a major mid-career survey titled "BEEPLE: / INFINITE_LOOP" at Node, a new non-profit art space in Silicon Valley. The exhibition features immersive installations including the kinetic sculpture "Human One," the multi-screen tower "Diffuse Control," and a comprehensive presentation of his long-running "Everydays" project. This survey marks a significant moment for the artist as he transitions from the viral NFT boom into large-scale physical and generative museum-style installations.

Christie’s Quietly Deletes Digital Art Department

Christie’s has quietly dissolved its dedicated digital art department, laying off two staff members including vice president Nicole Sales Giles, as part of a strategic shift to fold digital art sales into its broader 20th and 21st Century Art category. The move follows a two-year contraction in the art market and a dramatic decline in NFT trading volume from $2.97 billion in 2021 to $197 million in 2024, mirroring similar downsizing at Sotheby’s and the shuttering of platforms like Async Art and KnownOrigin.