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Tracey Emin, the studio and me: inside the wild, passionate process of the artist at work

Harry Weller, Tracey Emin’s long-time creative director, provides an intimate look into the artist’s studio practice ahead of her major exhibition at Tate Modern. Weller describes a high-intensity environment where Emin works without preparatory sketches, often entering a trance-like state of "primal instinct" to produce her visceral paintings and text-based works. His role involves acting as a creative antagonist, challenging Emin during the painting process to push the boundaries of her work while documenting the spontaneous poetic fragments she produces.

Tracey Emin: 'Racist behaviour is dividing our country'

Tracey Emin has unveiled her major new exhibition, "Second Life," at Tate Modern, marking a significant departure from the tradition of living British artists showing at Tate Britain. The exhibition, curated by Harry Weller alongside Tate’s Maria Balshaw, Alvin Li, and Jessica Baxter, eschews a traditional retrospective format in favor of a thematic exploration of Emin's personal history. During the press preview, Emin addressed her multicultural heritage—including Turkish Cypriot, Sudanese, and Romanichal roots—and criticized the rise of jingoism and divisive politics in the UK.