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A brush with… Luc Tuymans—podcast

This podcast episode features an in-depth conversation with Belgian painter Luc Tuymans, born in 1958 in Mortsel and based in Antwerp. Tuymans discusses his transformative approach to painting, which draws from photographs, film, and media to explore subjects ranging from contemporary politics and historical events to everyday objects. He shares insights into his meticulous process, his influences including Piet Mondrian, Léon Spilliaert, Francisco de Goya, and David Lynch, and his concept of "authentic forgeries." The episode also highlights his current exhibitions: "Luc Tuymans: The Fruit Basket" at David Zwirner in New York and Los Angeles, and a presentation at the Basilica di San Giorgio Maggiore in Venice.

Left at the altar: Luc Tuymans's paintings to replace Tintoretto works at Venetian church

Belgian artist Luc Tuymans has created two new paintings, "Heat" and "Musicians" (2025), for the altar of the Abbey of San Giorgio Maggiore, a 16th-century church on a Venetian island. The works temporarily replace two canvases by Jacopo Tintoretto—"The Last Supper" and "The People of Israel in the Desert"—which are undergoing restoration funded by the Save Venice conservation charity. The commission was organized by Benedicti Claustra Onlus and the Draiflessen Collection, and the paintings will be on view from May 9 to November 23.

Art’s new hybrid economy: who is making creative waves in a sector where analogue and digital media exist together?

The article examines how contemporary artists are navigating a hybrid art economy where analogue and digital media converge, particularly in the age of AI. It profiles Simon Denny, recently appointed a Member of the New Zealand Order of Merit, whose machine-assisted paintings at Kraupa-Tuskany Zeidler in Berlin address the illegibility of AI-generated images and the militarized rhetoric of Italian Futurism. Other artists featured include Sara Ludy, whose postdigital paintings at Smart Objects, Los Angeles, reflect screen-based perception, and Chris Dorland, whose exhibition at Nicoletti Contemporary, London, exposes the limits of technical systems through glitch aesthetics. Hito Steyerl's new book *Medium Hot: Images in the Age of Heat* (2025) is also discussed, questioning the role of images in an era of operational, nonhuman vision.