filter_list Showing 4 results for "Ian James" close Clear
dashboard All 4 article culture 2article policy 1museum exhibitions 1
date_range Range Today This Week This Month All
Subscribe

art juliana halpert frieze los angeles 2026

Juliana Halpert, writing for Cultured's Critics' Table, offers a local perspective on Los Angeles's busy February art scene, contrasting the global art-fair circuit with four distinctive local exhibitions. She visits Tanya Brodsky's "Stories of the City" at Campbell Hall school in Studio City, where Brodsky's sculptures engage with Italo Calvino's *Invisible Cities*; the Julia Stoschek Foundation; Amanda Ross-Ho's show; and Rita McBride's exhibition. Halpert uses Calvino's metaphor of Eutropia—a city whose inhabitants cycle through identical suburbs—to critique the repetitive nature of art fairs like Art Basel and Frieze, which travel from city to city with little variation.

Perfectly unusual settings for art in Los Angeles

Los Angeles is experiencing a surge in non-traditional exhibition spaces that bypass the conventional 'white cube' gallery model. Artists and curators are repurposing domestic apartments, former Vietnamese restaurants, vacant lots, and garages to host experimental shows. Notable examples include Greg Jenkins’s Paramount-Artcraft in the Fairfax District, Ian James’s Leroy’s in Chinatown, and David Horvitz’s 7th Ave Garden, which utilizes salvaged concrete from the Los Angeles County Museum of Art to create an outdoor installation and reading space.

New book highlights Vorticism’s toxic side—and puts its women pioneers back in the frame

A new book by Canadian art historian James King, titled "Our Little Gang," examines the Vorticist movement, highlighting its toxic internal dynamics and the marginalization of its female pioneers. King details how Wyndham Lewis, the movement's self-appointed leader, belittled followers like Jessica Dismorr and Helen Saunders, even painting over one of Saunders' works. The book also explores the movement's artistic tensions, balancing abstraction with representation, and features works by Lewis, David Bomberg, and Saunders.

smithsonian wall text citizen historians trump review 1234774613

A collective of volunteers and historians, operating under the name Citizen Historians for the Smithsonian, has documented over 50,000 wall labels across the Smithsonian Institution's 21 museums. This grassroots effort was launched in response to the Trump administration's directives to review and remove what it deems "divisive narratives" or "improper ideology" from federal cultural institutions. The tension escalated at the National Portrait Gallery when a label for Donald Trump’s portrait was edited to remove references to his two impeachments, leading to a "guerrilla teaching" protest by Georgetown historian James Millward.