Art News. Vasari Codex

article culture schedule May 16, 2025 visibility 22 link 20 artists, 1 gallery

modern contemporary art

The article explores the distinction between Modern and contemporary art, explaining that Modern art emerged in the late 19th century as a reaction to classical art and the Industrial Revolution, with movements like Impressionism, Cubism, Futurism, and Surrealism redefining painting in response to photography. Contemporary art, by contrast, is a reaction to Modern art, with its start debated between World War II and the 1960s-70s consumerist era, encompassing diverse mediums such as sculpture, street art, and performance art, exemplified by artists like Jeff Koons, Banksy, and Yoko Ono.

newspaper Artnet News open_in_new Read original

museum exhibitions schedule Jan 22, 2026 visibility 17 link 3 artists

ai weiwei buttons 2

Artist Ai Weiwei will unveil a new exhibition titled “Button Up!” at Factory International in Manchester, England, opening July 2. The show features monumental installations made from 30 tons of buttons he rescued from a shuttered British factory in 2019, along with over 3.5 million Lego pieces. Highlights include eight flags sewn with 9,000 buttons each, referencing the Eight-Nation Alliance that invaded China during the Boxer Rebellion, and a new version of his Lego work *History of Bombs*. The buttons were secretly shipped to China, where artisans assembled the works over 281 days.

newspaper Artnet News open_in_new Read original

museum exhibitions schedule Jul 22, 2025 visibility 15 link 3 artists, 1 gallery

art cannupa hanska luger aspen air installation

Cannupa Hanska Luger, a New Mexico-based artist, has created "Volume," an installation of clay whistles shaped like animal skulls that produce sound hourly using sensors and mechanical breath. The work is part of AIR, the Aspen Art Museum's inaugural retreat and festival, which explores the role of art in an era of rapid technological transformation. Luger discusses how the whistles, fired using multiple techniques, serve as a memento mori and draw on ancient globular whistle technology, Indigenous knowledge systems, and the idea that objects carry life.

newspaper Cultured open_in_new Read original

article local schedule May 15, 2026 visibility 13 link 3 artists, 2 galleries

Beyond the Mission Statement: Everhart Museum

The Everhart Museum in Scranton, Pennsylvania, celebrates 119 years of connecting the community to art, science, and natural history. Founded in 1908 by Civil War surgeon Dr. Isaiah Everhart, the museum has evolved from a cultural centerpiece during the Industrial Revolution into a regional attraction featuring fossils, taxidermy, folk art, and traveling exhibits. Recent highlights include a NASA exhibit that brought astronaut Paul Richards back to the museum where he first visited as a child, and the museum's folk art collection is noted as one of the best in the country, with pieces borrowed by major institutions like the Philadelphia Museum of Art.

newspaper DiscoverNEPA open_in_new Read original

museum exhibitions schedule Apr 16, 2026 visibility 13 link 1 artist, 2 galleries

Eye on Art: Whistler House hosts 200th Anniversary of Lowell Exhibition

The Whistler House Museum of Art is launching a special exhibition to commemorate the 200th anniversary of Lowell, Massachusetts. Running from April 18 to June 20, the show features a diverse array of media—including painting, sculpture, and photography—created by members of the Lowell Art Association, Inc. The works focus on the city’s identity as the cradle of the American Industrial Revolution, capturing its historic textile mills, urban landscapes, and cultural heritage.

newspaper Lowell Sun open_in_new Read original

article culture schedule Sep 29, 2025 visibility 23 link 17 artists

Are All Crises Equal? A Conversation with MOS’s Michael Meredith and Hilary Sample by ANY

Architects Michael Meredith and Hilary Sample of the firm MOS discuss the concept of "polycrisis"—the intersection of economic, political, and ecological failures—and its impact on architectural form. The conversation highlights a growing void between the formal aesthetic project of architecture and the urgent political realities of the modern world. Sample specifically addresses how the dominance of political and regulatory restrictions in collective housing has stifled formal innovation, often reducing architecture to a mere byproduct of governance rather than a tool for social or cultural expression.

newspaper Flash Art open_in_new Read original

rate_review review schedule May 25, 2026 visibility 4 link 2 artists

Criminal review – homelessness show delivers a rage-making punch in the gut

The article reviews "Criminal: An Untold Story of Homelessness, Resistance and Survival," an installation at London's Museum of Homelessness. The show features works by Romany Gypsy poet and artist Gemma Lees, including a caravan installation with china decorated with hostile Sun newspaper headlines about Gypsy and Traveller encampments, and festive bunting printed with historical state proscriptions against nomadic communities dating from the Egyptians Act of 1530 to the 2022 Police, Crime, Sentencing and Courts Act. The exhibition, set largely in the garden of the museum's new home at Finsbury Park's Manor House Lodge, explores how homeless people and nomadic communities have been criminalized over 400 years.

newspaper The Guardian open_in_new Read original

museum exhibitions schedule Jul 15, 2025 visibility 13 link 4 artists

Capture the Senses: Attraction and Horror in Early Modern Art // Haggerty

The Haggerty Museum at Marquette University will present 'Capture the Senses: Attraction and Horror in Early Modern Art' from August 22 to December 20, 2025. The exhibition draws from the museum's own collection to explore how Early Modern artists combined aesthetic pleasure with terrifying subject matter, featuring works by Albrecht Dürer, Ferdinand Bol, Giovanni Battista Piranesi, and Francesco Solimena. Curated by Kirk Nickel, the show examines themes such as the end times, human sacrifice, imperial decay, and fate, using paintings, prints, and sculpture from Europe and the Americas between the Renaissance and the Industrial Revolution.

newspaper Marquette University open_in_new Read original