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article local schedule May 23, 2025 visibility 3 link 9 artists, 3 galleries

woven danielle barr los angeles

Woven and CULTURED hosted their second annual luncheon at Alba in Los Angeles, celebrating visionary women in design. The event brought together gallerists Megan Mulrooney and Anat Ebgi, interior designers Jane Hallworth and Sarah Weichel, and other creative professionals for a relaxed gathering that included fresh flowers, copies of the CULT100 issue, and a vintage car display. Attendees included jewelry designer Kim Dunham, gallerist Rosa Park, lighting designer Analuisa Corrigan, and others, with photography by Madison McGaw/BFA.

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trending_up market schedule May 20, 2025 visibility 3 link 11 artists, 1 gallery

kasmin artistic noise auction

Kasmin gallery hosted its third annual benefit auction for Artistic Noise, a nonprofit supporting youth impacted by the juvenile justice, foster care, and mental health systems. The event honored artist Jordan Casteel as the inaugural featured artist, with over 40 donated works curated by Olivia Toups, including pieces by Lee Dawson, Julia Garciá, Ficus Interfaith, and Milly Skellington. The auction, which ended today, is projected to surpass its $100,000 goal, funding art therapy and resources for system-impacted young people.

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museum exhibitions schedule Dec 15, 2025 visibility 7 link 5 artists

'ARTnews' Names 'Confessions of Fire' by Isaiah Davis '25 One of New York's Best Art Exhibitions of 2025

Isaiah Davis '25, a visual arts alumnus of Columbia School of the Arts, opened his third solo exhibition, 'Confessions of Fire,' at King's Leap gallery in Chinatown this fall. The exhibition, which runs through December 20, 2025, features steel sculptures and enamel paintings on metal that explore Black masculinity through the motifs of leather culture and steel, inspired by rapper Cam'ron's debut album. ARTnews named it one of New York's best exhibitions of 2025, with senior editor Alex Greenberger praising the sculpture 'Slave (2025)' as the most surprising work of the year. The New York Times critic Travis Diehl and Frieze critic George Egerton-Warburton also gave it positive reviews.

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