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national gallery sainsburg wing reopening gabriele finaldi 1234741454

London's National Gallery has reopened its Sainsbury Wing after a three-year, $113 million renovation, timed to the museum's 200th anniversary. Director Gabriele Finaldi, who was knighted this year, oversaw the project, which was designed by architect Annabelle Selldorf and faced criticism from original architect Denise Scott Brown. The revamped wing features a light-filled foyer, 17 galleries with no prescribed route, and a rehang titled “The Wonder of Art.” The museum also acquired a mysterious painting by an unknown artist, The Virgin and Child with Saints Louis and Margaret and Two Angels (1500–10), for $20 million through Sotheby's.

national gallery acquires curious altarpiece by unknown artist for 20 m 1234740393

London's National Gallery has acquired a $20 million altarpiece, *The Virgin and Child with Saints Louis and Margaret and Two Angels* (1500-10), by an unknown artist. The purchase, funded by the American Friends of the National Gallery of London and brokered by Sotheby's, was made from a private collection to celebrate the museum's bicentenary. The painting, first documented in 1602 in Ghent, Belgium, features iconographical oddities including a unique dragon and a bawdy scene, and is painted on Baltic oak, suggesting a Netherlandish origin despite French elements like the fleur-de-lis.

national gallery mysterious altarpiece 20 million 2639437

London's National Gallery has acquired a mysterious altarpiece painted by an unknown artist around 1510, paying £16.4 million ($21.8 million) for the work titled *The Virgin and Child with Saints Louis and Margaret*. The painting, arranged via a private sale by Sotheby's and funded by the American Friends of the National Gallery London, features unusual details including a uniquely expressive dragon beneath baby Jesus's feet, playful angels, and subtle symbolic references. The acquisition marks the museum's bicentennial and will go on public display on May 10 in the rehung Sainsbury Wing.

Treasures from the worlds of fashion and art collide at an extraordinary new exhibition in Lisbon

A new exhibition titled 'Art & Fashion' has opened at Lisbon's Calouste Gulbenkian Museum, curated by Eloy Martínez de la Pera Celada. It juxtaposes masterpieces from the museum's permanent collection—spanning ancient Egyptian artifacts to Rembrandt and Impressionist works—with historic and contemporary fashion pieces, including garments from Charles Frederick Worth, Yohji Yamamoto, Dries Van Noten, Alexander McQueen, and Sarah Burton's debut at Givenchy. The show is organized by regional provenance and temporarily replaces the museum's usual display while its Brutalist building undergoes renovation.

National Gallery spends £16m on altarpiece by unknown artist

The National Gallery in London has purchased a 500-year-old altarpiece, *The Virgin and Child with Saints Louis and Margaret and Two Angels*, for £16.4 million from an anonymous owner. The painting, created between 1500 and 1510, is of unknown authorship—experts cannot agree whether the artist was Netherlandish or French, with candidates including Jan Gossaert and Jean Hey. The oak panel was felled around 1483, and the work was first documented at the priory of Drongen in Ghent in 1602. It was sold through Sotheby’s with support from the American Friends of the National Gallery London and had been kept at the Lulworth Estate in Dorset, home of the Weld family.

London's National Gallery buys mysterious altarpiece for $20m

London's National Gallery has acquired a mysterious altarpiece, "Virgin and Child with Saints Louis and Margaret and Two Angels" (1500-10), for just over $20 million in a private sale arranged through Sotheby's. The painting, funded by the American Friends of the National Gallery London, was sold by a descendant of the Blundell family and had been kept on the Lulworth Estate in Dorset. The artist remains unknown, with proposed names including Jan Gossaert, Jean Hey, and the Master of Saint Giles, and no other works by the same hand are known. The altarpiece was last publicly exhibited in 1960 and has only recently been shown privately to specialists, who remain divided on its attribution.