The art world is currently reflecting on the enduring legacy of Jasper Johns, highlighted by a new Gagosian exhibition focusing on his 1970s output. Critic John Yau explores Johns's career-long fascination with materiality and the inevitable decay of art, noting how the artist uses newsprint and wax to acknowledge that nothing remains static in time.
Jasper Johns’s latest exhibition at Gagosian, 'Between the Clock and the Bed,' serves as a profound meditation on the artist's career-long investigation into the 'things the mind already knows.' By revisiting his signature motifs—including flags, targets, and crosshatch patterns—the show highlights Johns’s rejection of Abstract Expressionist spontaneity in favor of a deliberate, analytical process using encaustic and collage. The works document a transformation where familiar symbols are rendered into a complex visual language that bridges the gap between memory and physical presence.
Antonio Homem, the longtime associate and eventual director of the Sonnabend Gallery, has died at 86. Homem began working with legendary gallerist Ileana Sonnabend in Paris in 1968, helped her open the New York gallery in 1971, and became the primary steward of the Sonnabend collection after her death in 2007, overseeing its transition into a foundation and a new public museum in Mantova, Italy.
The article examines the largely overlooked curatorial work of poet Frank O'Hara during his tenure at the Museum of Modern Art in New York. It details his role in organizing significant exhibitions, championing emerging artists like Robert Rauschenberg and Jasper Johns, and his influential collaborations with artists such as Larry Rivers.
Hans Ulrich Obrist, the artistic director of London's Serpentine Galleries, revealed in an interview with the Wall Street Journal that he has never been able to secure a studio visit with the reclusive painter Jasper Johns. Obrist, known for his extensive artist interviews and visits, stated that Johns, now 95, "doesn't see anyone," making him the one artist who has consistently refused Obrist's requests.
Paula Cooper opened her pioneering gallery in Soho in 1968, betting on the then-desolate industrial neighborhood as artists began moving into its lofts. She cultivated deep, personal relationships with the artists she represented, such as Lynda Benglis and Joel Shapiro, as well as with other major figures like Jasper Johns, fostering a slower, more humane art world pace. Her success helped transform Soho into a major gallery district, attracting institutions like Sonnabend and Castelli.
Marcel Duchamp - Hommage a Caissa (for the Marcel Duchamp Fund of the American Chess Foundation) , 1966
This rare 1966 silkscreen poster commemorates the "Hommage à Caissa" exhibition at New York’s Cordier & Ekstrom Gallery, a fundraiser organized by Marcel Duchamp for the American Chess Foundation. The event featured contributions from 36 iconic artists, including Salvador Dalí, Jasper Johns, and Alexander Calder, and is famously remembered for Andy Warhol’s uninvited "guerrilla attack" appearance with the Velvet Underground. The poster's design incorporates RSVP cards sent to participating artists, some featuring personal notes and autographs.
The Ashley Gibson Barnett (AGB) Museum of Art in Lakeland, Florida, has launched its largest-ever student art exhibition, featuring 187 award-winning works from Polk County students in grades seven through twelve. The showcase includes regional and national winners of the Scholastic Art and Writing Awards across various media, including ceramics, photography, and digital painting. Notably, eighth-grader Sophia De La Cruz’s mixed-media piece, "Blast of Emotions," was selected for the museum’s permanent collection, placing her work alongside masters like David Hockney and Robert Rauschenberg.