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franco regime censored robert motherwell painting moma show 1234768998

Newly uncovered documents from the Museum of Modern Art’s archives confirm that the Franco regime in Spain attempted to censor Robert Motherwell’s painting *Elegy to the Spanish Republic No. 35* (1954–58) before its scheduled 1958 exhibition in Madrid. The painting was part of MoMA’s traveling show “The New American Painting,” which introduced Abstract Expressionism to Europe. Spanish authorities demanded Motherwell remove the phrase “Spanish Republic” from the title, but the artist refused, leading to the work’s exclusion from the exhibition. The documents, reviewed by *El País*, also reveal that Catalan artist Antoni Tàpies boycotted state-sanctioned shows, calling the regime’s cultural propaganda “scandalous.”

Inside the 19th-century Parisian club that became a safe haven for female artists

Art historian Jennifer Dasal's new book "The Club" tells the story of the American Girls' Club, a Parisian safe haven founded in 1893 by Elisabeth Mills Reid at 4 Rue de Chevreuse in Montparnasse. The club provided affordable housing and meals for aspiring female American artists who faced obstacles their male counterparts did not, including societal pressure toward marriage, financial constraints, and safety concerns. Notable residents and participants included painters Anne Goldthwaite, Florence Lundborg, and sculptors Meta Vaux Warrick Fuller and Alice Morgan Wright, whose works and lives are chronicled in Dasal's account.