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Vanity Fair published a two-part feature with unprecedented imagery of the Trump administration, shot by photographer Christopher Anderson. Diet Prada annotated the photos, highlighting that a floral still life by French impressionist Berthe Morisot, titled *Peonies* (1869), appears behind press secretary Karoline Leavitt and is currently available as a print through Walmart. The painting belongs to the National Gallery of Art in Washington, D.C., which lists it as not on view and declined to comment on whether it is on loan to the White House. The Trump administration has not responded to inquiries about the artwork's provenance or whether it was newly installed or left over from a previous administration.

Art Basel 2025

Art Basel 2025 opened with strong preview-day sales, surprising many galleries after a tough year in the art market. Dealers reported a 'buyer's market' with price reductions and flexibility, while high-priced works by Jeff Koons, Michael Armitage, Adrian Ghenie, and Frank Bowling sold. The fair introduced a new section called Premiere for works made in the past five years, aimed at easing participation for small to mid-sized galleries. Satellite fairs including Africa Basel, Liste, Volta, and Maze Design Basel also launched or celebrated anniversaries. Other highlights include the Baloise Art Prize awarded to Rhea Dillon and Joyce Joumaa, a Holbein drawings rehang at Kunstmuseum Basel, and a visa denial for artist Richard Mudariki. Qatar took center stage ahead of a new fair in 2026, and limited-edition Labubu figurines caused a frenzy at the Art Basel Shop.

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Zohran Mamdani won the New York City mayoral election, prompting a wave of reactions from the art world. Artists, curators, and critics expressed hope and joy, with figures like Siddartha Mitter calling it a "beacon of civic renewal," while others like Jerry Saltz offered cautious support. Artists such as Aria Dean, Martine Syms, and Salman Toor were involved in his campaign, and El Museo del Barrio was the only institution to officially endorse him. However, some voices, like the market-oriented account Jerry Gogosian, criticized his socialist policies as potentially harmful to the art market.

art market reporting doom coverage 1234751514

Artnet News released its mid-year intelligence report on the art market, led by Katya Kazakina's analysis titled “The Storm Hits the Art Market: Who’s Getting Swept Away?” The article cites major gallery closures including Blum, Venus Over Manhattan, and Kasmin, and quotes a collector warning that “blood will flow in the streets” before the market recalibrates. Kenny Schachter, an artist, dealer, and Artnet columnist, publicly criticized the coverage on Instagram, calling it alarmist and arguing that the market is “fucking fine.” The exchange has sparked a debate about the fairness and responsibility of art-market reporting.

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Hilde Lynn Helphenstein, the creator of the popular Instagram account Jerry Gogosian, announced she is winding down the project after seven years. The account, known for its sharp and often acerbic commentary on the art market, amassed 151,000 followers since its launch in 2018. Helphenstein initially ran the account anonymously, revealing her identity in 2020, and used it to mock dealer Larry Gagosian, comment on auction records, and document her experiences at art fairs. The account also had real-world impact, including prompting Gagosian gallery to drop a director after Helphenstein urged people to come forward with sexual harassment allegations. Helphenstein, who previously ran her own gallery in Los Angeles, said she has 'grown out' of the project and is looking toward her next endeavor.

Farewell, Jerry Gogosian—or is it?

Hilde Lynn Helphenstein, the creator of the popular Instagram satirical persona Jerry Gogosian, announced she was ending the account after seven years and over 152,000 followers. The account was known for its sharp commentary on blue-chip dealers and art fair management, and helped launch other projects including a Sotheby's show in 2022 and a signing with Hollywood talent company UTA. Helphenstein told The Art Newspaper she wants to write a TV series like "White Lotus" or "Succession" set in the art world, and aims to work for MCH Group and eventually Art Basel.