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The art of technology jostles for position in venues both new and historic

Canyon, a new 40,000-square-foot institution dedicated to moving image, sound, and performance art, is set to open this autumn on Manhattan’s Lower East Side. Founded by entrepreneur Robert Rosenkranz and led by former Mass MoCA director Joe Thompson, the space aims to bypass the slow curatorial cycles of traditional museums by hosting international media-rich exhibitions with a faster 18-to-24-month turnaround. Unlike traditional collecting institutions, Canyon will focus on public accessibility and domestic-style hospitality rather than building its own permanent archive.

How US museums are adapting to a new era for technology-based art

American art institutions are undergoing a structural shift to accommodate the rapid evolution of technology-based and time-based media. The opening of Canyon, a 40,000-square-foot space in Manhattan’s Lower East Side founded by Robert Rosenkranz, exemplifies this trend. Led by former Mass MoCA director Joe Thompson, the venue aims to provide a permanent, hospitable home for moving-image, sound, and performance works that often struggle to find long-term exhibition space in traditional New York museums.

la exhibition julia stoschek video art collection 1234775995

The Julia Stoschek Collection has made its United States debut with a sprawling exhibition titled "What a Wonderful World: An Audiovisual Poem," staged at the historic Variety Arts Theater in Los Angeles. Curated by Udo Kittelmann, the presentation features 45 time-based media works by a high-profile roster of artists including Marina Abramović, Arthur Jafa, and Anne Imhof, alongside early cinema classics. Eschewing traditional "white cube" gallery aesthetics, the show utilizes the dilapidated grandeur of the six-story theater, allowing for overlapping soundtracks and non-linear viewing experiences.