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The Venice Biennale’s Polite Fiction of Being ‘Above the Market’ Is Wearing Thin

The 61st Venice Biennale is underway, with art world figures flocking to Venice for the opening. While the Biennale is officially a non-selling curatorial platform, commercial interests are increasingly visible: galleries are funding artists' projects to recoup investments, auction houses like Christie's are hosting private selling exhibitions (including a 'Ghost Pavilion' at the Ca' Dario Palazzo), and fashion houses such as Bottega Veneta and Chanel are sponsoring events. Sotheby's has pulled support for the U.S. Pavilion, which is now crowdfunding, while Frieze is bankrolling the British Pavilion for a second time.

portland art museum expansion renovation

The Portland Art Museum has completed a $116 million expansion and renovation, integrating two neighboring buildings and adding nearly 100,000 square feet of public and gallery space. The centerpiece is a 21,000-square-foot glass pavilion named after Mark Rothko, who grew up in Portland and attended the museum's art school. The project, largely privately funded, unites the original 1932 Belluschi building with the 1927 Mark Building (a former Masonic Temple) via a transparent, 24-hour pedestrian tunnel. Director Brian Ferriso led the capital campaign, which also raised $30 million for the endowment, and recruited Hennebery Eddy Architects and Vinci Hamp Architects as designers.

will the us participate in the 2026 venice biennale

As President Donald Trump cuts U.S. art programs and funding, questions surround the country's participation in the 2026 Venice Biennale. A Vanity Fair piece by Nate Freeman reports that the selection process is already behind schedule, with the U.S. State Department's typical 18-month lead time now reduced to just one year. The National Endowment for the Arts, which convenes the advisory committee for the pavilion, has been halted, and a key assistant secretary position is vacant. The application portal remains open but now includes new language requiring art that "reflects and promotes American values" and scrubbing references to diversity, equity, and inclusion (DEI).

andres serrano us pavilion venice

Andres Serrano has publicly proposed to represent the United States at the 61st Venice Biennale in 2026 with an installation expanding his ongoing project "The Game: All Things Trump," a collection of Trump-themed memorabilia acquired largely from eBay. The proposal includes a site-specific iteration of the work at the U.S. Pavilion in Venice's Giardini, potentially incorporating his controversial film "Insurrection" about the January 6 riots. The U.S. State Department is accepting submissions through July 30 and will announce its choice on September 1, leaving the winner only eight months to prepare.

A brush with… Jeffrey Gibson—podcast

This podcast episode features artist Jeffrey Gibson, who discusses his interdisciplinary practice blending Indigenous histories, queer aesthetics, and contemporary visual culture. Gibson talks about his upcoming exhibitions, including his U.S. Pavilion presentation at the 2024 Venice Biennale, a show at Hauser & Wirth in Paris, and major museum commissions at the Metropolitan Museum of Art, MASS MoCA, The Broad, and Kunsthaus Zürich. He reflects on influences from Henri Matisse, Magdalena Abakanowicz, Frank Bowling, and David Hammons, as well as his connection to poet Layli Long Soldier and writer Hélène Cixous.

patricia marroquin norby met museum curator departure

Patricia Marroquin Norby, the Metropolitan Museum of Art’s first-ever curator of Native American art, has stepped down from her role after a five-year tenure. While both Norby and the museum cited health reasons for her December 2025 departure, the exit follows intense public scrutiny regarding her claims of Indigenous heritage. A 2024 report by the Tribal Alliance Against Frauds (TAAF) alleged that Norby has no American Indian ancestry, leading to a public debate over her qualifications and identity.

us pavilion 2026 venice biennale dissident right art hos

The United States has not yet announced its pavilion for the 2026 Venice Biennale, but a controversial proposal has emerged from far-right blogger Curtis Yarvin, who pitched a "dissident-right art hos" pavilion to Under Secretary for Public Diplomacy Darren Beattie in April 2025. The proposal, reported by the New Yorker, comes amid a delayed application process and changes to the pavilion's guidelines, which now emphasize a "non-political character" and remove previous language about diversity. The application deadline is July 30, with a $375,000 grant awarded by September, leaving an unusually short timeline for production.

Amplifying Indigenous Voices with Phil Cash Cash and the Portland Art Museum

The Portland Art Museum is launching a program to bring on a team of Native American co-curators to revitalize its Native American art collection, led by curator Kathleen Ash-Milby. The museum has partnered with multi-disciplinary artist and scholar Phil Cash Cash, a member of the Nez Perce and Cayuse tribes, who will contribute Indigenous perspectives to the collection's evolution. Cash Cash, who holds a PhD in Anthropology and Linguistics and co-founded the Crow's Shadow Institute of the Arts, gave a talk to the museum's Native American Art Council in early 2026, marking a new collaborative phase.

US participation in 2026 Venice Biennale in limbo amid Trump's arts defunding

The United States' participation in the 2026 Venice Biennale is in jeopardy due to the Trump administration's campaign to defund the arts. According to a Vanity Fair report by Nate Freeman, the US government's preparation is behind schedule, with the typical 18-month planning timeline now reduced to just 12 months before the opening. The National Endowment for the Arts (NEA) faces funding cuts, staff reductions, and a vacant position for coordinating biennale affairs, while the application process has been altered to emphasize "American values" and remove references to diversity, equity, and inclusion.