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Muscle memory: Natasha Tontey’s wild Venice installation explodes perceptions of Indonesian history

Natasha Tontey's new installation "The Phantom Combatants" at the Ateneo Veneto in Venice reimagines the story of Len Karamoy, a woman who was part of the CIA-funded Permesta resistance movement in North Sulawesi, Indonesia (1957-1961). The 22-minute film, commissioned by the LAS foundation and Amos Rex, features absurdly muscular mutant warriors and draws on Indigenous belief systems, video games, Indonesian soap operas, and B-movie aesthetics to explore themes of autonomy, resistance, and historical perspective.

Free-speech groups celebrate return of Sally Mann photos seized from Fort Worth museum

Free-speech groups announced that four photographs by Sally Mann, seized by Fort Worth Police from the Modern Art Museum of Fort Worth in January 2025, have been returned. The police removed the images following allegations that they constituted child pornography, but a Tarrant County Grand Jury found no grounds for further action. The photos were part of the exhibition *Diaries of Home*, which featured work by women and nonbinary artists. The seizure drew widespread criticism from organizations including the Foundation for Individual Rights and Expression and the National Coalition Against Censorship, who called it an abuse of government power and a violation of the First Amendment.

pierre huyghe las foundation 2746797

Pierre Huyghe has unveiled his most ambitious project to date in Berlin, a major exhibition titled 'Liminals' staged at the cavernous Halle am Berghain. Commissioned by the LAS Art Foundation as part of its 'Sensing Quantum' program, the installation features a massive 50-minute film projected in a former electrical station, accompanied by a droning, atmospheric soundscape. The work continues Huyghe’s exploration of AI-driven systems and 'unworlding,' attempting to create a space that transcends human subjectivity through bio-technological environments.

Head of Carter museum in Fort Worth is leaving after 14 years

Andrew J. Walker is stepping down as executive director of the Amon Carter Museum of American Art in Fort Worth after 14 years. His tenure included launching a community artists initiative, overseeing a major renovation, and acquiring works by over ten Indigenous photographers. The museum also faced controversy last fall when it temporarily closed the exhibition "Cowboy" without explanation, later reopening it with a "mature content" label—a decision artist Rafa Esparza called censorship. Scott Wilcox, the museum's chief operating officer, will serve as interim leader while a search for a new director begins.

The Chateau Show offers a stylish exhibition full of surprises for artistic insiders

Each October, the Chateau Show takes over the historic Aldredge House on Swiss Avenue in Dallas, a Gilded Age home built in 1915-17. Founded by artists Joel Murray and Clint Bargers, the four-year-old exhibition invites a select crowd of curators, museum directors, and art world insiders to view envelope-pushing works by emerging, mid-career, and established artists. This year’s edition features 21 participants, including Alicia Eggert, Luke Harnden, Virginia L. Montgomery, and Arthur Peña, with installations ranging from site-specific pieces to more commercial works. The show is free and open by appointment from Oct. 19-25.

National Juneteenth Museum starts celebrations early with first Fort Worth exhibition

The National Juneteenth Museum, though not yet built in Fort Worth, is launching its first exhibition titled "Declarations of Freedom" on June 12, 2025. Curated by Lauren Cross and Christopher Blay, the show blends historical artifacts and photographs with contemporary works by North Texas artists including Vicki Meek, Spencer Evans, Sedrick Huckaby, and Letitia Huckaby. It precedes the museum's inaugural Freedom Vibes festival (June 19-22), featuring concerts, a block party, and a gospel program. State legislators have allocated $10 million toward the museum's $70 million goal, which CEO Jarred Howard frames as a nonpartisan American story.

Experience memories of plantation-born painter in new African American Museum exhibition

The African American Museum in Dallas will open a new exhibition, "Sunday Call to Church: The Art of Clementine Hunter," on December 5, 2025. The show brings together 22 paintings collected by Bank of Texas chairman Norman Bagwell and four works from the museum's own holdings, featuring the self-taught Louisiana painter who began creating art at age 50. Hunter, born on a plantation in 1887, worked as a field laborer and house worker at Melrose Plantation, painting from memory scenes of worship, work, and community life in the rural South.