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‘There’s no fudging. She deserves to win’: critics react as Turner Prize 2025 opens

The Turner Prize 2025 exhibition opened on 23 September at Bradford's Cartwright Hall Art Gallery, featuring nominees Nnena Kalu, Rene Matić, Mohammed Sami, and Zadie Xa. Kalu, a learning disabled Scottish artist, is nominated for her contributions to the Conversations exhibition at the Walker Art Gallery in Liverpool and her work at Manifesta 15 in Barcelona. Her practice, supported by ActionSpace, includes suspended sculptures and vortex drawings. The exhibition runs from 27 September to 22 February 2026 as part of the UK City of Culture festival.

Tate announces 2025 Turner Prize shortlist

The Tate has announced the shortlist for the 2025 Turner Prize, which will be held in Bradford as part of the UK City of Culture festival from September 27 to February 22, 2026. The four nominees are Iraqi artist Mohammed Sami, known for his solo exhibition 'After the Storm' at Blenheim Palace; British artist Rene Matić, whose work addresses race, gender, and political rhetoric; Scottish-born Nnena Kalu, nominated for her contributions to exhibitions at the Walker Art Gallery and Manifesta 15; and London-based Canadian artist Zadie Xa, recognized for her installation at the Sharjah Biennial 16. The winner will be announced on December 9, receiving £25,000, while the other shortlisted artists will each receive £10,000.

Nnena Kalu wins the 2025 Turner Prize

Scottish artist Nnena Kalu has won the 2025 Turner Prize, becoming the first learning-disabled person to receive the prestigious award. Her winning work includes suspended sculptures bound with rope and tape, along with swirling vortex drawings, currently on display at Cartwright Hall Art Gallery in Bradford as part of the UK City of Culture festival. Kalu, who is autistic and has limited verbal communication, was nominated for her contributions to the Conversations exhibition at the Walker Art Gallery in Liverpool and for her work Hanging Sculpture 1 to 10 at Manifesta 15 in Barcelona. The jury, chaired by Tate Britain director Alex Farquharson, praised the visual and aesthetic quality of her abstract art, noting its powerful presence and enigmatic expressiveness.