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Female nudity and art that stinks: key takeaways from Venice Biennale 2026

The 2026 Venice Biennale opened with 99 participating countries, including first-timers Somalia and Qatar, under the shadow of curator Koyo Kouoh's death. Her planned theme of "enhancement" and the main show "In Minor Keys" were disrupted by political protests: Pussy Riot objected to Russia's inclusion, and a strike against Israel's participation forced several national pavilions (UK, Austria, France) to close. Key takeaways include pervasive female nudity across pavilions, debates over Russia's presence, criticism of the US pavilion's lackluster art, maritime themes dominating several shows, and the rise of olfactory art.

Remembering Peter Phillips, the pioneering British Pop artist, who has died, aged 86

British Pop artist Peter Phillips has died at age 86. Known for his collage-like, saturated compositions incorporating mechanical parts, comic books, and pin-up imagery, Phillips emerged from Birmingham's industrial landscape and studied at the Royal College of Art alongside peers like David Hockney and R.B. Kitaj. His work, such as *The Entertainment Machine* (1961) and the *Custom Painting* series, reflected his working-class upbringing and fascination with car manufacturing and commercial design.

‘A daring flash of pubic hair’: the extraordinary, monumental nudes of Sylvia Sleigh

A small London gallery, Malarkey, is exhibiting eight paintings by Welsh-born artist Sylvia Sleigh (1916–2010), including her monumental 1963 work *The Bridge*, which is now for sale. The show, curated by Daniel Malarkey, features Sleigh's earliest-known self-portrait and her first commission, alongside other nudes that challenge traditional objectification by portraying both sexes with dignity. Sleigh, who studied at Brighton School of Art and moved to New York with her second husband, critic Lawrence Alloway, reimagined classical poses like Giorgione's *Sleeping Venus* in modern settings, notably including a daring flash of pubic hair in *The Bridge*.

Since 1968, Protests Have Revealed the Real Impact of the Venice Biennale

The article recounts the 1968 protests at the Venice Biennale, where artists, students, and activists clashed with police over the event's perceived ties to bourgeois power and capitalist commodification. It draws parallels to the 2024 Biennale, where groups like Art Not Genocide Alliance, Pussy Riot, and Femen demonstrated against the participation of Russia and Israel, while artists staged strikes and performances like the Solidarity Drone Chorus to highlight the Gaza conflict.