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Isabel Nolan’s Work Challenges Everything We Think We Know About Creativity

Artist Isabel Nolan recently discovered she has aphantasia, a rare neurological condition that prevents her from visualizing mental images. Despite this, Nolan has built a successful career creating abstract sculptures, drawings, and tapestries, and her work is featured in the Irish Pavilion at the Venice Biennale. Her exhibition, "Dreamshook," explores themes of imagination versus reality and draws inspiration from late medieval history and the printer Aldo Manuzio.

Thinking small and dreaming big in Isabel Nolan’s imaginary world

Dublin-born artist Isabel Nolan discusses her Ireland pavilion exhibition "Dreamshook" at the Venice Biennale, developed with curator Georgina Jackson. The show explores the liminal state between dreaming and waking, weaving a fictional narrative around Renaissance humanist Aldo Manuzio, who popularized portable books. Nolan draws on late Medieval and early Renaissance visual language, using intimate forms like textiles to tackle big ideas about cosmology, religion, and humanism. She describes her ambivalent relationship with European cultural inheritance and the need to recover occluded voices.

After The Complex: The Dublin Art Scene

The Complex, a major multi-artform venue in Dublin, was evicted from its warehouse building in January 2026 after its lease expired. A public campaign to save it, supported by politicians and cultural officials, failed due to a lack of legal mechanisms to protect grassroots cultural organizations. This closure follows a pattern of similar artist-led spaces folding in Ireland, most recently Ormond Studios.