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larry gagosian jasper johns interview

Larry Gagosian has opened a major exhibition of Jasper Johns's crosshatch paintings from 1973 to 1983 at his Upper East Side gallery in New York. In a forthcoming Gagosian Quarterly interview, Gagosian explains his motivation simply: he wanted to look at the works. The show features key pieces including all six versions of "Between the Clock and the Bed" (1981), borrowed from top-tier collectors and museums such as the Museum of Modern Art, the Virginia Museum of Fine Arts, and the National Gallery of Art. Gagosian recounts first encountering the crosshatch paintings in 1976 at Leo Castelli's gallery, before he had met Johns, through his connections with Merce Cunningham and John Cage.

what are the 10 best works of art in new york museums let the debate begin

Artnet News critic Christian Viveros-Fauné has published a personal list of the ten best works of art in New York museums, sparking debate among readers. The selection includes iconic pieces such as Giovanni Bellini's *St. Francis in the Desert* at the Frick Collection, Gerhard Richter's *October 18, 1977* at MoMA, Paul Cézanne's *The Card Players* at the Metropolitan Museum of Art, James Rosenquist's *F-111* at MoMA, Diego Velázquez's *Juan de Pareja* at the Met, and Pablo Picasso's *Les Demoiselles d'Avignon* at MoMA, among others.

andy warhol prints

Long-Sharp Gallery has opened a new online and in-person exhibition titled "Warhol's 1950s Printmaking: The Blotted Line" at the Conrad Indianapolis, showcasing a curated selection of Andy Warhol's early blotted line drawings from the 1950s. These works, which combine drawing and printmaking, feature motifs ranging from florals to figuration and were kept by Warhol after their creation, with provenance from his Estate. Gallery owner Rhonda Long-Sharp discusses the significance of these pieces, including a favorite work, *Roses* (ca. 1956), and shares insights into Warhol's personal history and artistic development.

What Role Do Galleries Play in the Art World?

Maxwell Rabb's article explains the fundamental role of commercial art galleries in the art world, tracing their evolution from 19th-century Parisian storefronts like Goupil & Cie to contemporary spaces. It highlights how galleries function as private businesses that showcase and sell artworks, support artists, organize exhibitions, and connect with collectors, curators, and institutions. The piece also addresses the perception of galleries as exclusive spaces while noting they are often free and open to the public, serving as a bridge between the art world and curious visitors.