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'Through the Veil' exhibition at Sarasota Art Museum an immersive labyrinth of mixed media hanging assemblages

Nassau-born, Atlanta-based artist Lillian Blades presents 'Through the Veil,' her first solo museum exhibition, at the Sarasota Art Museum. The show features suspended mixed-media assemblages called 'veils,' made from Plexiglas, wood, family photographs, and found objects, stitched together with a metallic knotting technique. Inspired by her mother, who was a quilter and died in childbirth, Blades creates immersive, tapestry-like works that envelop viewers and cast intricate shadows on the museum's walls and floors. The exhibition also includes earlier wall assemblages encrusted with three-dimensional materials like antique mirrors and empty picture frames.

Here's what's at Southwest Florida museums during July

Southwest Florida museums, from Sarasota to Naples, present a robust July lineup: two exhibitions open, one closes, and 24 continue. Highlights include Chris Friday's first solo museum show "Where We Never Grow Old" at Sarasota Art Museum, featuring large-scale chalk drawings and a site-specific installation exploring safe havens. Other notable shows include "Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press," with works by Martin Puryear and Kerry James Marshall; Jillian Mayer's interactive sculpture series "Slumpies"; Lillian Blades' immersive mixed-media maze "Through the Veil"; and Molly Hatch's site-specific ceramic installation "Amalgam" (2023-24). The Ringling Museum also highlights a newly acquired painting by Juana Romani.

Lillian Blades' first solo exhibition sparkles and shines at Sarasota Art Museum

Lillian Blades' first solo exhibition, "Through the Veil," is on view at the Sarasota Art Museum (SAM) through October 26. The Bahamian-born artist presents large, quilt-like mixed-media installations made from found objects such as toys, jewelry, utensils, and mirrors, wired together and hung from PVC piping. Her work is displayed on the museum's third floor, while a concurrent exhibition of Gee's Bend quilts occupies the second floor, creating a thematic dialogue between the two shows.