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SeMA opens new retrospective on Yoo Young-kuk, modern master of the 'mountain within'

The Seoul Museum of Art (SeMA) has opened a major retrospective on Korean abstract artist Yoo Young-kuk titled "A Mountain Within Me" at its Seosomun main branch. The exhibition, marking the 110th anniversary of the artist's birth, is the largest ever mounted on Yoo, featuring 178 works including 115 oil paintings and 15 canvases from the artist's family's private holdings shown publicly for the first time. Curated by Yeo Kyung-hwan, the show defies chronology, beginning in 1964 and moving backward through Yoo's Tokyo years and the lost decade after Korea's liberation, then forward through his geometric abstractions of the 1960s and 1970s, culminating in his late "mind-image abstraction" phase after 1980.

‘Out of the middle’: Asian Art Museum director sees contemporary Korean art coming into its own

Dr. Lee So-young, the first Korean American director of a major U.S. art museum, discussed the rising global prominence of contemporary Korean art during an interview in Seoul. She was visiting with San Francisco Mayor Daniel Lurie to celebrate the cities' 50th anniversary of sister-city ties and to promote an upcoming retrospective on Korean abstract artist Ha Chong-hyun at the Asian Art Museum in September. Lee, who previously curated at the Metropolitan Museum of Art and Harvard Art Museums, noted that Korean art has shifted from traditional focus to contemporary work, with museums and collectors increasingly engaging with dynamic artists from Korea.

Total Museum's 'Somebody Has to Collect It' examines collecting as a responsibility

The Total Museum of Contemporary Art in Seoul has opened "Somebody Has to Collect It," an exhibition featuring works from the collection of French art collectors Catherine and Renato Casciani. Running from April 30 to May 31, the show marks the couple's first major presentation in Korea and inaugurates the museum's new "Collector/tion" project, which reframes collectors not as buyers but as actors at the intersection of capital, memory, and value-making. The exhibition includes 22 artists and collectives, with a focus on video art addressing themes such as precarious labor, state violence, colonial inheritance, climate crisis, and queer intimacy. It is also an official program of the 140th anniversary of diplomatic relations between Korea and France.

Artist Hong Seung-hye opens first solo exhibition in three years, traces inspiration from 'organic geometry'

Korean artist Hong Seung-hye opens her first solo exhibition in three years, titled "On the Move," at Kukje Gallery Busan. The show traces her decades-long exploration of "organic geometry," a concept she coined after a 1997 Photoshop glitch where pixels appeared to move organically on her screen. The exhibition brings together recent works across multiple mediums, including video, sculpture, and audio, such as "Snoopy in Space" (2019), "Light Upon" (2021), "MOVE" (2022), and the new video "Emotical Practice" (2025). Hong draws inspiration from music and choreography, and she expresses wariness about artificial intelligence, preferring to control every aspect of her work herself.

‘Still Breathing’ showcases Koh Sang-woo's artistic journey through the lives of wounded, abused animals

Artist Koh Sang-woo's solo exhibition "Still Breathing" opened at the Savina Museum of Contemporary Art in Seoul, featuring paintings of wounded, abused, and endangered animals. The show includes portraits of spotted seals from a project with WWF Korea, works from a partnership with Cheongju Zoo (including a vulture named Hana and a zebra named Sero), and a rabbit blinded in cosmetic testing. Koh uses a signature blue-inversion technique, and the exhibition is curated by museum director Lee Myung-ok.

Korea’s art market grows, but working conditions for entry-level workers do not

A 20-something intern at a small Seoul gallery, identified as Park, accepted a job paying 1.35 million won ($910) per month after taxes—below South Korea's minimum wage—because she believed early experience was essential for career advancement in the art world. The article, based on interviews with the Korea JoongAng Daily, reveals that many entry-level workers face low pay and precarious conditions, exacerbated by a severe oversupply of arts graduates (48,000 annually) versus only about 3,523 job postings per year on the industry site Art More, leading to reliance on personal connections and informal hiring.

Plas Art Show goes back to basics with renewed focus on its sculpture, 3-D work

The Plas Art Show, a Seoul-based art fair specializing in sculpture and three-dimensional works, returns for its 11th edition from June 4 at Coex in Gangnam District. Featuring 102 galleries (91 domestic and 11 from Taiwan, Germany, Japan, and Georgia), the fair presents roughly 750 artists and 3,500 works under the theme “New Chance.” Fair president Shin Jun-won acknowledged criticism that the event had drifted from its sculptural focus and announced stricter curation, including on-site inspections and penalties for galleries that fail to include at least one three-dimensional artist and one stereoscopic work. Standard booth prices range from 5.7 to 6.7 million won, which Shin says attracts Gangnam-area galleries priced out of larger venues.

Leeum's installation art exhibition explores women-led history of genre

The Leeum Museum of Art in Seoul will open the exhibition "Inside Other Spaces" on May 5, featuring 11 installation artists from Asia, Europe, and the Americas. The show reconstructs full-scale environments from 1956 to 1976, including Korean artist Jung Kang-ja's "Incorporeal Exhibition" (1970), which was forcibly dismantled by the Korean government and is being rebuilt for the first time. The exhibition previously appeared at Munich's Haus der Kunst, Rome's Maxxi, and Hong Kong's M+, with each venue expanding its scope.

Seoul Museum of Craft Art opens two exhibitions centered on brief but ambitious Korean Empire

The Seoul Museum of Craft Art opens two special exhibitions on Tuesday, both centered on the Korean Empire (1897-1910), a brief period when Korea sought to modernize through craft and industrial innovation. The larger exhibition, “The Hybrid,” marks 140 years of diplomatic relations between Korea and France, gathering 24 objects from European collections—23 from France and one from Germany—some not displayed in Korea in over 120 years. The second, “Folded Time, Unfolded Memory: Andong Palace,” focuses on the royal women who lived on the museum’s grounds, particularly Empress Sunjeonghyo and Princess Kim Deok-su. Museum director Kim Soo-jung described the two shows as “almost like an omnibus,” connected through the Korean Empire period.