Art News. Vasari Codex

museum exhibitions schedule May 5, 2026 visibility 28 link 10 artists, 2 galleries

La grande fiera TEFAF si tiene a New York da 10 anni. Come sarà l’edizione 2026?

TEFAF New York returns to the Park Avenue Armory from May 15–19, 2026 (with a collector preview on May 14), marking the fair's tenth anniversary. The 2026 edition will host 88 top international galleries from 15 countries across four continents, offering museum-quality selections of modern and contemporary art, jewelry, antiques, and design. Highlights include Andy Warhol's Mao (1973) at ML Fine Art, Cecily Brown's Functor Hideaway (2008) at Berggruen Gallery, and a 2026 work by Minjung Kim at Voena. The fair also extends into the Armory's historic period rooms, and the TEFAF Museum Restoration Fund will support the conservation of a Medici tapestry owned by the Minneapolis Institute of Art.

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museum exhibitions schedule Apr 27, 2026 visibility 14 link 8 artists

“Grammars of Light” at Astrup Fearnley Museet, Oslo

Astrup Fearnley Museet in Oslo presents "Grammars of Light," a major exhibition featuring immersive works by Cerith Wyn Evans, Ann Lislegaard, and P. Staff. The show includes architecturally scaled video projections and luminous sculptures made from repurposed consumer, medical, and industrial lighting, transforming the museum's galleries into sensory environments that challenge perception.

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museum exhibitions schedule May 15, 2026 visibility 15 link 14 artists, 1 gallery

Picture gallery in transformation: recent gifts

MASP — Museu de Arte de São Paulo Assis Chateaubriand will present the exhibition "Picture gallery in transformation: recent gifts" starting May 15, as part of its Latin American histories series. The show features two sets of silkscreen prints recently added to the museum’s collection: 51 prints (2002–2007) by the Argentine collective Taller Popular de Serigrafía, which combined art and activism during the 2001 economic crisis, and the series "Ink and blood: 1968–2009" by Mexican artist Abraham Cruzvillegas, comprising 41 facsimiles of protest ephemera from Latin American social movements. The exhibition is curated by MASP artistic director Adriano Pedrosa, curator Regina Teixeira de Barros, and curatorial assistant Matheus de Andrade.

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museum exhibitions schedule May 13, 2026 visibility 16 link 11 artists, 3 galleries

How Does an Art Fair Stand Apart? TEFAF NY Has an Answer.

TEFAF New York returns to the Park Avenue Armory from May 15-19, featuring 88 dealers and galleries from 14 countries across four continents. The fair distinguishes itself from competitors like Frieze, NADA, and Independent by offering an unusually broad range of works—from Modernist paintings and contemporary sculpture to ancient artifacts, fine jewelry, and design. Notable exhibitors include Gagosian showing Kathleen Ryan’s bejeweled fruit sculptures, Thaddaeus Ropac presenting newcomer Eva Helene Pade, and Belgian dealer David Lévy pairing Keith Haring with Willem de Kooning. Design is a particular highlight this year, with galleries such as Sarah Myerscough, Gomide&Co, and Modernity Stockholm showcasing everything from Shaker-inspired chairs to Brazilian modernist furniture and Scandinavian classics.

newspaper Cultured open_in_new Read original

museum exhibitions schedule May 11, 2026 visibility 15 link 7 artists

Sandra Gamarra: “Réplica” Is Not a Copy

Sandra Gamarra Heshiki's exhibition "Réplica" at MASP in São Paulo opens with an unplanned replica of Francisco Laso's "Habitante de las cordilleras del Perú" (1855), which could not travel from Lima due to bureaucracy. Gamarra produced an inverted, altered version, establishing a critical distinction between copying and responding. The exhibition is organized into sections that parody the classical chronology of encyclopedic museums—"Pre-colonial," "Colonial," "Post-independence," "Modern," and "Contemporary"—transforming the museum into an object of analysis. Gamarra's paintings engage with colonial iconographies, such as the pinturas de castas, by inscribing racial classifications directly onto the figures, making the colonial verdict inseparable from the bodies depicted.

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