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London Dealer Stephen Friedman Owes $10.6 M. to Dozens of Creditors, Including Artists Deborah Roberts and Kehinde Wiley

London-based gallery Stephen Friedman has accumulated debts of approximately $10.6 million, according to official documents filed with Companies House. Creditors include Coutts & Co. bank (£3.2 million), Pentland Group Ltd. (£1.4 million), the UK tax authority, the Pollen Estate, art logistics company Crozier, and several prominent artists—Alexander Diop (£341,905), Deborah Roberts (£289,232), and Kehinde Wiley (£163,849). The gallery closed its New York space in November 2024 after just two years, then abruptly shut its London location and entered insolvency proceedings in February 2025, shortly after pulling out of Art Basel Qatar. A restructuring proposal by FRP Advisory was approved on 22 April.

‘Overworked’: Çağla Ulusoy in Conversation With ArtReview

ArtReview and Dirimart London are hosting a conversation between artist Çağla Ulusoy and ArtReview editor Fi Churchman about Ulusoy's book 'Overworked', which features 83 selected abstract paintings and accompanying collages. The event takes place on 6 June 2026 at Dirimart's London gallery, coinciding with the group exhibition 'Colour is the Place', which includes Ulusoy's work alongside artists Hashel Al Lamki, Tala Worrell, and Berke Yazıcıoğlu. Ulusoy's practice integrates lived experiences from various cultures into abstract compositions using materials like acrylic, oil paint, sand, and wax.

ターナー賞2026最終候補

The Turner Prize 2026 shortlist has been announced, featuring four artists: Simeon Barclay, Kira Freije, Marguerite Humeau, and Tanoa Sasraku. The exhibition will be held at MIMA (Middlesbrough Institute of Modern Art) from September 26, 2026 to March 29, 2027, with the winner revealed on December 10, 2026. The jury includes Sarah Allen, Jo Hill, Suk-Kee Lee, Alona Pardo, and Alex Farquharson as chair.

Peggy Guggenheim in London: The Making of a Collector

The Peggy Guggenheim Collection in Venice has opened "Peggy Guggenheim in London: The Making of a Collector," the first major museum exhibition focused on Guggenheim's brief but influential 18-month tenure as a gallerist in pre-war London. From January 1938 to June 1939, her gallery Guggenheim Jeune at 30 Cork Street mounted twenty exhibitions, including Vasily Kandinsky's first UK solo show, the first British group collage exhibition, and a controversial sculpture show debated in Parliament. Organized by Gražina Subelytė and guest curator Simon Grant, the show brings together approximately one hundred works—paintings, sculptures, prints, photographs, puppets, and archival material—many reunited for the first time since their original presentation.

‘A daring flash of pubic hair’: the extraordinary, monumental nudes of Sylvia Sleigh

A small London gallery, Malarkey, is exhibiting eight paintings by Welsh-born artist Sylvia Sleigh (1916–2010), including her monumental 1963 work *The Bridge*, which is now for sale. The show, curated by Daniel Malarkey, features Sleigh's earliest-known self-portrait and her first commission, alongside other nudes that challenge traditional objectification by portraying both sexes with dignity. Sleigh, who studied at Brighton School of Art and moved to New York with her second husband, critic Lawrence Alloway, reimagined classical poses like Giorgione's *Sleeping Venus* in modern settings, notably including a daring flash of pubic hair in *The Bridge*.

Turner prize 2026 shortlist points to sculpture as a way of thinking about power, ecology and belief

The Turner Prize 2026 shortlist has been announced, featuring four artists—Simeon Barclay, Marguerite Humeau, Kira Freije, and a fourth unnamed artist—whose practices are rooted in sculpture and installation. The jury, chaired by Alex Farquharson (director of Tate Britain) and including Sarah Allen, Joe Hill, Sook-Kyung Lee, and Alona Pardo, praised the artists for their material intelligence and ability to link sculptural language to systems of power, memory, and belief. Barclay's work combines performance and industrial materials to explore British national identity, Humeau's speculative sculptures investigate non-human intelligence and belief systems, and Freije's hybrid figures examine vulnerability and identity through fabric and metal.

‘Street culture is about revolution’: Brazilian ‘hip-hop’ painter Paulo Nimer Pjota

Brazilian artist Paulo Nimer Pjota, now 37, is preparing for his first UK institutional exhibition, 'Encantados (Enchanted),' at the South London Gallery. The show features 11 new paintings on canvas alongside a large wall drawing, drawing on imagery from ancient civilizations, Brazilian folklore, art history, and children's literature. Pjota, who began painting at age 12 and sold his first work at 15, describes his process as akin to a hip-hop producer sampling diverse sources. His background includes graffiti and hip-hop culture in São José do Rio Prêto, where he trained at a local hip-hop school and collaborated with renowned Brazilian graffiti artists like Os Gêmeos, Ise, and Nunca.

Diego Marcon at Le Consortium

Diego Marcon presents his solo exhibition "Forza Cani" at Le Consortium in Dijon, running from December 5, 2025 to May 24, 2026. The show features the artist's works, with images courtesy of the artist, Sadie Coles HQ in London, and Le Consortium, Dijon, photographed by Katie Morrison.

Amalia Pica at Herald St

Herald St in London is presenting "Daisy Chain," an exhibition of new work by Argentine-born, London-based artist Amalia Pica, running from March 19 to May 16, 2026. The show includes a press release, checklist, and 14 exhibition images documented by photographer Jack Elliot Edwards.

Three Venice shows everyone is talking about

The Korea Herald recommends three must-visit museum shows in Venice during the Venice Biennale. At Palazzo Grassi, the Pinault Collection presents "Michael Armitage. The Promise of Change," featuring the Kenya-born British painter's vivid works addressing sociopolitical tensions and migration. At Gallerie dell'Accademia, "Transforming Energy" by Marina Abramovic marks her 80th birthday, creating a dialogue between her performance art and Renaissance masterpieces. The Peggy Guggenheim Collection hosts "Peggy Guggenheim in London: The Making of a Collector," revisiting her formative years and her short-lived London gallery Guggenheim Jeune.

The other side of the art world

Isabel Adair recounts her visits to commercial art galleries in London and Cambridge, describing the experience of viewing Eva Pade's exhibition at Galerie Thaddeus Ropac in Mayfair and the abstract works at Byard Art near King's College. She highlights the contrast between the polished, elite atmosphere of a high-end Mayfair gallery and the more accessible, profit-driven local gallery, while noting the freedom and openness of these spaces to the public.

Genuine Fake Premium Economy review – brilliantly obnoxious millennial rage at a rigged financial world

The exhibition "Genuine Fake Premium Economy" at a London gallery features works by American artists Jenna Bliss, Buck Ellison, and Jasmine Gregory, all born in the mid-1980s. Their pieces—including Bliss's shaky videos of New York's financial district, Ellison's fictional bank advertisements pairing classical paintings with cynical taglines, and Gregory's luxury watch ads stripped of watches—collectively express millennial rage at a rigged financial system and the aftermath of the 2008 crash.

Jack White Debuts Visual Art Exhibition at Newport Street Gallery

Musician Jack White has debuted a visual art exhibition at Newport Street Gallery in London. The show presents a collection of his own artworks, marking his first formal foray into the gallery world and expanding his creative practice beyond music.

London gallery cancels controversial art show over antisemitic imagery

An exhibition titled 'Drawings Against Genocide' by British artist Matthew Collings, scheduled to open at Delta House Gallery in Wandsworth, London, has been cancelled after complaints from UK Lawyers for Israel (UKLFI) about antisemitic content. The show, planned for May 2026, included graphic drawings depicting Jews with horns, devouring babies, and denying Hamas's October 7 attacks, and had previously sparked outrage at a Margate gallery. Gallery owners Pineapple Corporation and Delta House Studios Ltd confirmed the cancellation after UKLFI warned of legal risks under the Public Order Act 1986.

London Gallery Cancels Antisemitic Art Exhibit After Pro-Israel Lawyers Intervene

A London gallery, Delta House Gallery in Wandsworth, canceled a traveling exhibition titled "Drawings Against Genocide" by British artist Matthew Collings after UK Lawyers for Israel (UKLFI) intervened, citing antisemitic content. The show, scheduled for May 16-24, featured drawings with swastikas, comparisons of Israel to Nazi Germany, and depictions of Jewish figures with horns, among other imagery. Gallery owner Pineapple Corporation Chairman Tom Berglund confirmed the cancellation, stating the exhibition was arranged without owner consultation.