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Wet Paint Does Frieze Week: The Dinosaur Dealer Downtown, David Zwirner Tribeca, and More Juicy Art-World Gossip

Artnet News' gossip column 'Wet Paint' covers the opening week of Frieze New York, beginning with the group show 'Statics of an Egg' at David Zwirner's newly renamed Tribeca gallery (formerly 52 Walker). Curated by Martin Germann, the exhibition features Japanese artists gathered by Yu Nishimura and Kenji Ide, with Nishimura's painting 'in waiting' highlighted. The column also reports on a private party at the River art-world hangout and a visit to Amanita gallery for 'A Land Before Time: Three Dinosaurs and a Gondola,' which includes a John Chamberlain sculpture. Notable attendees include artists Sasha Gordon, Olivia van Kuiken, Calvin Marcus, and Josh Smith, as well as dealers Marlene Zwirner and Matthew Brown.

dorchester frieze london breakfast cultured magazine

CULTURED magazine hosted its third annual Frieze London breakfast at the Dorchester hotel, co-hosted by Editor-in-Chief Sarah Harrelson, European Contributor Georgina Cohen, and photographer Mary McCartney. The event drew a mix of art-world figures, celebrities, and cultural tastemakers, including actor Richard E. Grant, Tate director Maria Balshaw, musicians Jess Glynne and Sophie Ellis-Bextor, gallerists Lucy Chadwick and Pilar Corrias, and collectors Laura de Gunzburg and George Wells. Guests enjoyed a plant-based breakfast and copies of CULTURED's September issue amid the buzz of Frieze London.

art gaetano pesce final public sculpture

Gaetano Pesce's final sculpture, "Double Heart," has been installed as his only permanent public artwork in the United States. The 30-foot-tall illuminated piece, featuring two interlocking hearts pierced by Cupid's arrow, now hovers above the Massachusetts Turnpike at the Lyrik Back Bay plaza in Boston. Commissioned by developer Samuels & Associates and art advisory Goodman Taft, the work was overseen by gallerist Lucy Chadwick of Champ Lacombe after Pesce's death in early 2024. The sculpture reflects Pesce's signature blend of playfulness and humanism, contrasting with the rigid geometry of modernist design.