New UCCA CEO Kong Lingyi on the Beijing Institution’s Future

Kong Lingyi has been appointed as the new CEO of the UCCA Center for Contemporary Art in Beijing, succeeding Philip Tinari who stepped down shortly before the Lunar New Year. A veteran of the institution since 2012, Kong previously served as vice president of brand and is now tasked with overseeing UCCA’s multiple branches in Beijing, Beidaihe, and Yixing. Her leadership marks a shift toward a new management structure focused on institutional sustainability and public accessibility.

Comment | Museums are civic institutions. It’s time we acted like it

Lindsay C. Harris, director of the Oakland Museum of California (OMCA), publishes a commentary calling for museums to act as true civic institutions. She outlines concrete internal commitments OMCA has made, including voluntarily recognizing a staff union, adopting a pay equity philosophy with a minimum wage of $30.88 per hour, implementing transparent financial practices, and shifting investments toward socially responsible funds. Externally, she advocates for centering community voices, building social cohesion through inclusive programming, and measuring institutional impact through visitor surveys.

Artists in charge

A roundup of artist-run galleries in Kansas City highlights the rise of spaces like Vulpes Bastille and 100,000,000, which are reshaping the local art scene. These venues, operated by artists and volunteers, offer exhibition opportunities, studios, and community support, exemplified by Andrew Johnson's intimate multimedia installation "In The Presence of an Absence" at Vulpes Bastille.

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Designer Alexander Wang and his mother Ying Wang have acquired the historic 58 Bowery building in New York's Chinatown for $9.5 million, marking its first Chinese American ownership. They are transforming the former bank into a cultural venue named Wang Contemporary, which will host exhibitions, performances, and festivals focused on Asian and Asian American creatives, with its inaugural exhibition curated by the art collective MSCHF.

Museum of the Moving Image announces record attendance

Museum of the Moving Image (MoMI) in Astoria, New York, announced record attendance of 311,000 visitors in 2025, a 105% increase from 2024 and a 147% increase from 2023. The opening day of the exhibition 'Stories and Set Design for the Sopranos' on February 14, 2026, marked the highest single-day attendance in the museum's history, with 3,600 visitors. Growth was driven by special programs like the 'Open Worlds' initiative, community events such as Lunar New Year and Iftar celebrations, and popular exhibitions including 'Mission: Impossible—Story and Spectacle,' which drew over 81,500 guests. The museum also hosted more than 500 screenings in its upgraded Sumner M. Redstone Theater.

A new home for Asian contemporary art opens in landmarked building in Manhattan's Chinatown

The Wang Contemporary has officially opened its doors in a landmarked Beaux Arts building at 58 Bowery in Manhattan’s Chinatown. Founded by fashion designer Alexander Wang and his mother, Ying Wang, the cultural organization debuted with a site-specific installation by the Brooklyn-based conceptual collective MSCHF titled '20,000 Variations On A Paper Plane In Flight.' The performance featured red and gold paper planes launched from the building's central oculus, blending traditional Lunar New Year symbolism with conceptual art in a space that formerly served as a bank.

Unbridled Imagination, Welcoming the New Year on Horseback — The 2026 Horse Zodiac Art Exhibition

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The 2026 'Horse' Zodiac Art Exhibition opened at the Shanghai Library East Branch on January 28th. This annual event, now in its fourth year, showcases over 200 selected works from more than 7,000 global submissions, featuring diverse mediums like traditional Chinese painting, oil painting, sculpture, installation, and digital art. The exhibition is structured into four sections: a special invitation section with works by renowned Shanghai artists, a three-dimensional works section, a traditional art section, and a digital art section.