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The US Pavilion Wants Your Money

The American Arts Conservancy, a new nonprofit with MAGA-aligned leadership, is fundraising for Alma Allen's 2026 US Pavilion at the Venice Biennale through a "Donate" button on its website, having received no institutional financial support. Meanwhile, a sculpture by Pedro Reyes at the newly unveiled LACMA building has sparked controversy for recalling a 2021 commission rejected by Mexico City after Indigenous and feminist protests, and the experimental LA nonprofit The Box has closed after 19 years.

How Dayanita Singh Got Into Venice’s Archives

Artist Dayanita Singh mounted a major exhibition titled "ARCHIVIO" at the State Archives of Venice, which opened to the public as an exhibition venue for the first time in its history. Without institutional funding or a public relations budget, Singh relied on a "friendship economy" to install her signature "photo-pillars"—images of Indian archival documents bound in red cloth. The show attracted visitors despite the lack of traditional promotion, as documented in an interview with Hyperallergic Editor-at-Large Hrag Vartanian.

Artists, Read the Fine Print

Artist Damien Davis writes a critical piece on how so-called 'standard' contracts in the art world systematically undermine artists' power, citing long consignment periods, moral rights waivers, and opaque terms that favor institutions. Separately, the Venice Biennale has scrapped its traditional Golden Lion awards after the awards jury resigned; instead, ticket holders will vote on 'Visitor Lions,' with results announced in November, and notably Israel and Russia remain eligible despite the jury's earlier ban. Other news includes damage to a 1,000-year-old Native American archaeological site by construction crews building President Trump's border wall.

An Artist’s MFA Show Confronts Columbia University Over Gaza

Artist Alejandro Valencia's MFA thesis installation at Columbia University, titled "DYNAMO (RATM01)" (2026), confronts the institution's response to the Gaza genocide. The multipart work, on view at the Miriam and Ira D. Wallach Art Gallery, includes a keffiyeh worn by fellow student Ridwana Rahman—who was banned from campus and denied her MFA degree after a protest—along with sundials, pencils, and a broken microphone referencing Palestinian scholar Edward Said. The piece critiques Columbia's crackdown on pro-Palestinian student activism and the suppression of dissenting voices.

Maine College of Art & Design Presents the 2026 MFA Thesis Exhibition

Maine College of Art & Design (MECA&D), in collaboration with the Institute of Contemporary Art (ICA) at MECA&D, presents the 2026 MFA Thesis Exhibition, showcasing the culminating work of nine graduate candidates in the Master of Fine Arts in Studio Art program. The exhibition features artists Abigail G. Cloutier, Harley Ngai Grieco, Molly Knobloch, Stephen Medeiros, Darby Miller, Dylan Ouellette, Caitlin Perrigo, Jonathan Spath, and Isaac L. Stern, working across ceramics, drawings, photography, prints, sculpture, sound, and video installations. The show runs from May 7–16, 2026, at the ICA in Portland, Maine.

Lehman College Art Gallery Presents the 2026 Thesis Exhibition

The Lehman College Art Gallery is presenting the 2026 BFA, MA, and MFA Thesis Exhibition from May 20 to May 28, 2026. The show features the culminating work of over thirty graduating undergraduate and graduate artists from the Lehman College Art Department, spanning digital media, painting, sculpture, printmaking, photography, and interdisciplinary forms. Themes include identity, memory, technology, migration, and social space. An opening reception on May 20 will include an awards announcement and a year-end celebration.

SMFA at Tufts Presents Passages, the 2026 MFA Thesis Exhibition

The School of the Museum of Fine Arts at Tufts University (SMFA at Tufts) presents "Passages," the 2026 MFA Thesis Exhibition, on view from May 5 to 17 at Tufts University Art Galleries in Medford, Massachusetts. The show features thesis work by nineteen MFA candidates, exploring themes of journey, transition, and exploration across media including painting, sculpture, assemblage, and artists' books. Works incorporate found visa documents, portraiture, clay cities, and symbolic animals such as goldfish, black birds, and a dog-headed cynocephalus.

Opening Reception – Things Don’t Seem The Same: 2026 MFA Thesis Exhibition

The USF School of Art & Art History is hosting the opening reception for its 2026 MFA Thesis Exhibition, titled "Things Don’t Seem The Same," on April 3, 2026. The event celebrates seven MFA candidates—Enoch Appiah, Mike Cannata, Patrick Michael Carew, Darlene Gold, Atia Shafie, Diana Sosnowska, and Brogan Willis—with introductions, an awards ceremony, and ArtHouse XXVI featuring open studios, live music, food, and exhibitions.