Of the Love that Moves the Sun and the Other Stars: An Interview with Amalia Cross

DEL AMOR QUE MUEVE EL SOL Y LAS OTRAS ESTRELLAS. ENTREVISTA A AMALIA CROSS

The Museo de la Solidaridad Salvador Allende (MSSA) in Santiago has inaugurated a major collection-based exhibition titled "Del amor que mueve el sol y las otras estrellas," curated by art historian Amalia Cross. The show revisits the museum's unique history—from its origins during Salvador Allende’s presidency and the international "Operation Truth" to its period of exile following the 1973 coup and its eventual return to Chile. Featuring works by global icons such as Alexander Calder, Lygia Clark, and Yoko Ono, the exhibition emphasizes movement and collective action across various mediums including sculpture, video, and installation.

VARINIA BRODSKY ZIMMERMANN: “ENTIENDO AL MUSEO COMO UN CAMPO DE REVERBERACIÓN”

Varinia Brodsky Zimmermann, director of the Museo Nacional de Bellas Artes de Chile, is interviewed as part of a series on contemporary museums in Latin America. She describes the museum as a "field of reverberation" that amplifies social, cultural, and political questions without reacting mechanically to demands. The conversation covers structural challenges facing public museums in Chile, including budget precarity and suspended exhibition projects, and Brodsky advocates for more permeable, horizontal, and sustainable institutions that maintain critical depth while engaging diverse communities.

Canada’s art market takes a nationalist turn amid trade war with US

At the opening of "Riopelle: Crossroads in Time" at the Vancouver Art Gallery, philanthropist and collector Michael Audain gave a patriotic speech praising Quebecois modernist Jean Paul Riopelle. Amid US President Donald Trump's trade war and annexation threats, a wave of Canadian nationalism has boosted the domestic art market. Heffel Fine Art Auction House reports record online sales of Canadian art, with Riopelle works especially sought after due to major bequests to a new museum wing in Quebec, removing key pieces from the market. Collectors like Felix Tetu note rising prices and increased interprovincial buying, while the Riopelle Foundation's centennial promotions are bridging Canada's Anglophone-Francophone cultural divide.