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art basel hong kong 2026 exhibitor list announced

Art Basel Hong Kong has announced its exhibitor list for the 2026 edition, featuring 240 galleries from 42 countries and territories, roughly the same size as last year's 242 galleries. The fair runs March 27–29 at the Hong Kong Convention and Exhibition Centre, with preview days on March 25–26. New additions include 32 first-time exhibitors from Australia, Japan, Turkey, France, Germany, and the US, while 33 galleries from the previous edition are absent—some due to closures (Blum, Clearing, Kasmin) or acquisitions (Millan bought by Almeida & Dale). A new sector called Echoes will showcase works created in the last five years, and the Encounters sector will be curated by a team led by Mami Kataoka. Media artist Ellen Pau will oversee the film program for the first time, and Shahzia Sikander has been commissioned to create a public artwork for the M+ Museum facade.

art basel hong kong 2026 fair highlights

Art Basel Hong Kong 2026 will feature 240 galleries and an expanded program, including the Asia debut of the digital-focused Zero 10 section and a reimagined Encounters section. The Encounters section, curated by a team led by Mami Kataoka, will feature 12 large-scale works based on the Five Elements theme, with pieces by artists like Suki Seokyeong Kang and Parag Tandel. The Film section is under new curation by Ellen Pau, and the fair coincides with major exhibitions at institutions like M+.

2025 sigg prize winners

Wong Ping and Heidi Lau have been named joint winners of the third edition of the Sigg Prize, a biennial award stewarded by Hong Kong's M+ museum since 2018. This marks the first time the prize has recognized two artists simultaneously. Wong, based in Hong Kong, won for his animated narrative *Debts in the Wind* (2025), a lo-fi, darkly humorous commentary on a local land dispute over a golf course. Lau, born in Macau and now based in New York, won for *Pavilion Procession* (2025), an altar-like ceramic installation with a robotic spider inspired by the ancient Chinese text *Shanhaijing*. Both artists were selected from a shortlist of six, all born after the 1980s and '90s.

museums of tomorrow roundtable 2025

The Fine Arts Museums of San Francisco (FAMSF) will host the 2025 Museums of Tomorrow Roundtable (MTR) from May 11-17, bringing together 14 global museum leaders and technology firms including Adobe, Anthropic, Bloomberg, and Salesforce. Participants include directors such as Marion Ackermann (Stiftung Preußischer Kulturbesitz), Stephanie Rosenthal (Guggenheim Abu Dhabi), Eike Schmidt (Museo di Capodimonte), Mami Kataoka (Mori Art Museum), and others, alongside Bay Area museum heads and AI artist Refik Anadol, who will speak in a free public program at the de Young Museum. The forum aims to bridge the museum and technology communities, exploring how advanced technologies can enrich operations and visitor experiences while supporting artists working with technology.

Art Basel Hong Kong announces new section dedicated to work made in past five years

Art Basel Hong Kong (ABHK) has announced a new section called Echoes, debuting at its 2026 edition (March 25–29), which will showcase works made within the last five years. The inaugural Echoes presentation will feature 10 booths by 13 galleries, including Flowers Gallery (Hong Kong/London) and a joint booth by Capsule Shanghai and Klemm’s (Berlin). The fair also revealed its full list of curators—all Asia-based for the first time—including Mami Kataoka (director of Mori Art Museum) heading the Encounters section, and Hong Kong video artist Ellen Pau curating the film programme. Additionally, the fifth annual M+ façade commission will be by Pakistani-American artist Shahzia Sikander, presenting a hand-painted animation titled "3 to 12 Nautical Miles." ABHK 2026 is expected to host 240 galleries from 41 countries and territories.

Art Basel unveils gallery line-up and first highlights for its 2026 Hong Kong edition

Art Basel has announced the gallery lineup and first highlights for its 2026 Hong Kong edition, which will feature 240 leading galleries from 41 countries and territories. Over half of the participating galleries operate in the Asia-Pacific region, including 29 with spaces in Hong Kong. A new sector called Echoes debuts, spotlighting recent works by up to three artists per presentation. The Encounters sector will be curated for the first time by a collective of four Asia-based curators led by Mami Kataoka. The fair also introduces a Film Program curated by media artist Ellen Pau and a Conversations Program directed by Venus Lau. For the fifth year, Art Basel and M+ will co-commission a monumental public artwork for the M+ Facade, this time by Shahzia Sikander. The fair runs March 27–29, 2026, with preview days on March 25 and 26 at the Hong Kong Convention and Exhibition Centre.

Art Basel Hong Kong 2026: Where The World Comes To See

Art Basel Hong Kong 2026 returned to the Hong Kong Convention and Exhibition Centre from March 25–27, featuring 240 galleries from 42 countries and territories. The 13th edition introduced new sectors including Echoes, dedicated to works made within the past five years, and Zero 10, a digital art initiative making its Asia debut. The fair also transformed its Encounters sector with a collective curatorial framework based on the Five Elements, led by Mami Kataoka and three other Asia-based curators. Robb Report India covered the event through the perspectives of Indian artists Siddharth Kerkar and Jayesh Sachdev.

On the ground at Art Week Tokyo: amid shifting national politics, Japan’s ‘sleeping beauty’ art scene is waking up

The fifth edition of Art Week Tokyo (AWT) took place from November 5-9, bringing together over 50 commercial galleries and museums across the city in a hybrid "post-art fair" model. The event unfolded against the backdrop of Sanae Takaichi becoming Japan's first female prime minister, a political shift that has sparked mixed reactions in the Japanese art world, with calls for improved tax incentives, international promotion, and stronger public collections. AWT, directed by Atsuko Ninagawa and organized in collaboration with Art Basel, featured museum shows including "What is Real?" at the Okura Museum of Art, curated by Adam Szymczyk, and "Prism of the Real: Making Art in Japan 1989-2010" at the National Art Center, Tokyo.