100 anni tra arte e poesia per annullare i confini. Intervista a Lamberto Pignotti

Lamberto Pignotti, the 100-year-old Florentine artist and poet and a leading figure in visual poetry, is celebrated with two concurrent exhibitions: "Pignotti 100. Pop-esie visive" at the Mart in Rovereto (in collaboration with the Collegio Cairoli of Pavia) and the dual solo show "Identikit di Pignotti e Hogre" curated by Marco Giovenale at Galleria Bianco Contemporaneo in Rome. The latter exhibition, born from a dialogue between Pignotti and the anonymous artist Hogre, centers on a collection of envelopes Pignotti has saved for over fifty years—each addressed to him with varying titles (architect, artist, poet, professor) or altered names (Alberto, Lorenzo, Mario, Giuseppe)—revealing his fragmented identity. Pignotti co-founded the Gruppo '70 in Florence in 1963 with Eugenio Miccini, a movement that brought together multidisciplinary artists including Lucia Marcucci, Ketty La Rocca, and musicians Giuseppe Chiari and Sylvano Bussotti.

Fragility and Resistance of an Iranian Artist on Display in Rome

Fragilità e resistenza di un’artista dell’Iran in mostra a Roma

The Galleria Anna Marra in Rome is hosting "Assemblages," the first Italian solo exhibition of Iranian artist Sepideh Salehi. The show features works that blend collage, Japanese paper, photography, and drawing to depict Iranian women living in the United States who have shared experiences of displacement and political upheaval. Salehi’s figures often avert their gaze or conceal their faces, symbolizing a "calligraphy of refusal" and a quiet resistance against the historical traumas of the 1979 Islamic Revolution and the Iran-Iraq war.

A library of sensations in Rome in the exhibition of Gabriele Simei: The interview

Una biblioteca di sensazioni a Roma nella mostra di Gabriele Simei. L’intervista

Artist Gabriele Simei has transformed the VOLUME! art space in Rome into an immersive installation titled "LABiblioteca Sottotevere." Curated by Silvano Manganaro, the exhibition features metal sculptures shaped like books, alongside found objects such as old lace, blankets, and tools. Simei uses acid to etch the textures of leaves gathered from the banks of the Tiber River and vintage textiles onto iron and brass plates, creating a "library of sensations" that bridges the gap between nature and domestic memory.