What Can the New Dib Bangkok Do for Thai Art?

Dib Bangkok, a new contemporary art museum housed in a former steel warehouse, opened in December with its inaugural exhibition, (In)visible Presence. The show features 80 works by 40 artists from the collection of late founder Petch Osathanugrah, including pieces by James Turrell, Alicja Kwade, and Pinaree Santipak. Curated by director Miwako Tezuka, the exhibition emphasizes immersive, sensory experiences over passive observation, with works like Marco Fusinato's sound installation and Hugh Hayden's threshold piece. However, the museum's pan-global focus and sleek, tranquil setting initially distance visitors from the local Thai art scene.

A Milano c’è una mostra di un importante artista australiano in cui si ragiona sul rumore

Marco Fusinato, the Australian artist who represented his country at the 59th Venice Biennale, returns to Italy with a solo exhibition at the Padiglione d’Arte Contemporanea (PAC) in Milan. Titled "The only true anarchy is that of Power," the show brings together installations, performances, and sound recordings from recent years, all centered on the concept of noise. Curated by Diego Sileo, the exhibition features three ongoing projects, including the monumental performance-installation DESASTRES, first presented at the Venice Biennale in 2022 and later staged at festivals such as Berlin Atonal and Unsound Krakow. The work combines randomized sound and images, using electric guitars, mass amplification, and intense feedback to create an immersive, hallucinatory experience where chaos and control coexist.

Is Berlin not over yet?

Ist Berlin doch noch nicht over?

Çağla Ilk, who curated the German Pavilion at the Venice Biennale two years ago, has presented her plans as the new artistic director of the Maxim Gorki Theater in Berlin. Her program reimagines theater from the perspective of visual art, signaling a major shift in the city's theater landscape. The announcement comes amid broader reforms in Berlin's theater scene, including Matthias Lilienthal's upcoming takeover of the Volksbühne, and was met with both anticipation and anxiety, reminiscent of Chris Dercon's failed tenure at the Volksbühne in 2017.