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Pilar Zeta Navigates the Beautiful Absurdity of Venice Biennale

Pilar Zeta navigates the Venice Biennale, offering her perspective on several standout exhibitions. She praises Anish Kapoor's show at Palazzo Manfrin as the strongest at the Biennale, describing it as a psychological distortion of space through mirrors and voids. She also highlights Antonio Canova's tomb at the Frari Basilica as a quiet counterpoint to Biennale excess, Marina Abramović's participatory exhibition at the Gallerie dell'Accademia, Jan Fabre's theatrical installation at the Scuola Grande di San Rocco, and an unnamed Dadaist performance blurring art and reality in the streets.

In an age of distraction, Marina Abramovic draws audiences into art

Marina Abramović, the pioneering performance artist who turns 80 this year, is the subject of a major exhibition at the Gallerie dell’Accademia in Venice, running through October. The show, titled "Transforming Energy," features interactive "transitory objects" such as crystal structures and minerals, a re-enactment of one of her best-known performances, and a depiction of her work "Pieta" staged with her late partner Ulay alongside Titian’s masterpiece. Abramović became the first living woman to be honored with a major exhibition at the museum, and she previously won the top prize at the 1997 Venice Biennale. In an interview, she discusses her shift from painting to performance, her evolving relationship with the audience, and the challenge of holding attention in an age of distraction.

Orlan, Marina Abramović, Ai Weiwei and Roger Ballen lead a major exhibition on love in Paris

A major group exhibition exploring the theme of love has opened in Paris, featuring works by renowned contemporary artists including Orlan, Marina Abramović, Ai Weiwei, and Roger Ballen. The show brings together diverse perspectives on love, intimacy, and human connection through various media such as performance, photography, and installation.