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Martin Puryear's 1978 sculpture *Self* opens a survey of his work at the Museum of Fine Arts, Boston, titled “Martin Puryear: Nexus,” which runs through Sunday before traveling to the Cleveland Museum of Art in April. Curated by Emily Liebert, Reto Thüring, and Ian Alteveer, the exhibition argues that Puryear's abstract, craft-intensive sculptures—like *A Column for Sally Hemings* (2021)—are not merely formalist exercises but carry political and historical meanings that are deliberately withheld, challenging viewers to read beyond elegant surfaces.

Sculptor Martin Puryear brings major exhibition to Cleveland Museum of Art

The Cleveland Museum of Art has launched "Martin Puryear: Nexus," the first comprehensive survey of the influential American sculptor’s work in nearly two decades. The exhibition features approximately 50 pieces spanning over 50 years, including sculptures in wood, rawhide, and metal, as well as rarely seen drawings and models. Co-organized with the Museum of Fine Arts, Boston, the show highlights Puryear’s unique blend of traditional craftsmanship, global cultural influences, and abstract forms.

The Story Behind Martin Puryear’s “Alien Huddle,” a Highlight of the Cleveland Museum of Art

The Cleveland Museum of Art has launched "Martin Puryear: Nexus," a major career-spanning exhibition featuring 50 works by the acclaimed American sculptor. A centerpiece of the show is the museum's own "Alien Huddle," a wooden sculpture that the artist recently revealed was inspired by the birth of his daughter and the transformation of a couple into a family of three. The exhibition, which runs from April 12 to August 9, 2026, showcases Puryear's mastery of wood and his ability to blend organic forms with deep cultural and personal narratives.

12 art exhibits to explore this fall

Greater Boston's fall art exhibitions feature a range of shows that reflect on social issues and artistic traditions. Notable exhibits include Jean Shin's "Fabricated Imaginaries: Crafting Art" at the Rose Art Museum, which explores textile consumption and Asian stereotypes; "Sketch, Shade, Smudge: Drawing from Gray to Black" at Harvard Art Museums, showcasing monochromatic works; "Andrew Gn: Fashioning the World" at the Peabody Essex Museum, highlighting the designer's blend of Eastern and Western aesthetics; and "List Projects 33: Every Ocean Hughes" at MIT List Visual Arts Center, examining the process of dying through video installation.

Cleveland Museum of Art hosting ‘France in the Time of Manet and Morisot’

The Cleveland Museum of Art (CMA) has opened a free companion exhibition titled "France in the Time of Manet and Morisot," running through August 23 in the Mark Schwartz and Bettina Katz Photography Galleries. The show features 50 photographs from the museum's holdings of mid-1800s France, including works by Charles Marville and Édouard Baldus, who were commissioned by Emperor Napoleon III and the Louvre to document historic monuments and new architectural projects. Curated by Barbara Tannenbaum, CMA chair of prints, drawings, and photographs, the exhibition complements the museum's ticketed show "Manet & Morisot," which explores the artistic exchange between Édouard Manet and Berthe Morisot. Highlights include André-Adolphe-Eugène Disdéri's 1861 portrait "Monsieur Merlen," which is noted as an early precursor to the selfie, and a photograph of the Arc de Triomphe under construction.

Cleveland Museum of Art opening ‘Martin Puryear: Nexus,’ a career survey

The Cleveland Museum of Art has launched "Martin Puryear: Nexus," the most comprehensive survey of the 84-year-old American sculptor’s work in nearly two decades. Co-organized with the Museum of Fine Arts, Boston, the exhibition features approximately 50 pieces, including large-scale sculptures, drawings, and maquettes spanning 50 years of Puryear’s career. A unique feature of the show is the inclusion of diverse interpretations from various artists and architects, though many works are left intentionally open-ended to encourage personal viewer connection.