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Washington, D.C., Museums are Showcasing African American Art, Exhibitions Focus on Photography and the Black Arts Movement, Vivian Browne, Adam Pendleton & More

Museums across Washington, D.C., are currently presenting a robust slate of exhibitions focused on African American art, including major retrospectives, solo shows, and thematic group presentations. Notable shows include "Elizabeth Catlett: A Black Revolutionary Artist" at the National Gallery of Art, "We Gather at the Edge: Contemporary Quilts by Black Women Artists" at the Renwick Gallery, solo exhibitions for Vivian Browne and Essex Hemphill at The Phillips Collection, Chakaia Booker's "In the Tower" at the National Gallery, and Adam Pendleton's "Love, Queen" at the Hirshhorn Museum. Additionally, collectors Larry D. and Brenda A. Thompson have pledged 175 works by Black artists to the National Gallery, with over 60 on view in "With Passion and Purpose."

art dead artists museum exhibitions politics

CULTURED reports that in 2025, nearly 50 percent of solo exhibitions at New York museums featuring modern and contemporary art focused on deceased artists, more than double the 18 percent share in 2019. Major institutions like MoMA, the Broad, ICA Miami, and the Whitney have programmed posthumous shows for figures such as Wifredo Lam, Helen Frankenthaler, Ruth Asawa, Robert Therrien, Joyce Pensato, Richard Hunt, and Roy Lichtenstein. The article traces this trend to a confluence of factors: ongoing scholarly revisionism, a cultural swing toward equity during the Biden administration, and the long lead times for museum exhibitions that have landed in a more polarized political climate under Trump II.

“She’s a Real 20th Century Figure”: Thelma Golden on the ICA’s Mavis Pusey Retrospective

The Institute of Contemporary Art Philadelphia, in collaboration with the Studio Museum in Harlem, has opened "Mavis Pusey: Mobile Images," a retrospective of the Jamaican-born abstract artist Mavis Pusey (1928–2019). The exhibition spans two floors of Pusey's paintings and archival materials, showcasing her geometric abstractions that translate urban construction and gentrification into fractured planes and rhythmic blocks of color. The show was sparked by Studio Museum director Thelma Golden's discovery of Pusey's work in an online auction catalog a decade ago, leading to a collaboration with curator Hallie Ringle.

Long Overdue, First Museum Retrospective of Mavis Pusey Explores Artist's Geometric Abstraction Over Five Decades

The Institute of Contemporary Art (ICA) at the University of Pennsylvania is hosting "Mavis Pusey: Mobile Images," the first museum retrospective of Jamaican-American artist Mavis Pusey (1928-2019). Curated by Hallie Ringle and Kiki Teshome, the exhibition spans five decades and features over 60 works, including seven paintings shown publicly for the first time. Pusey, who studied at the Art Students League and worked at Robert Blackburn's Printmaking Workshop, was known for her geometric abstraction at a time when many Black artists focused on figuration. The show will travel to the Hammer Museum in Los Angeles and the Studio Museum in Harlem.

Two New Exhibits at Penn’s Institute of Contemporary Art

The Institute of Contemporary Art (ICA) at the University of Pennsylvania has opened two new exhibitions. "Mavis Pusey: Mobile Images" (through December 7, 2025) is the first major museum survey dedicated to Jamaican-born geometric abstractionist Mavis Pusey (1928-2019), featuring over 60 works from her 50-year career, including her "Broken Construction" series. Co-organized with the Studio Museum in Harlem and curated by Hallie Ringle and Kiki Teshome, the show includes archival materials. The second exhibition, "Entryways: Xenobia Bailey" (through August 9, 2026), continues ICA's collaboration with textile studio Maharam, featuring a window installation by Philadelphia-based fiber artist Xenobia Bailey, curated by Denise Ryner.

Mavis Pusey’s First Solo Museum Exhibition Spotlights Her Work in Geometric Abstraction

Mavis Pusey: Mobile Images, the first major museum survey of the Jamaica-born artist and educator Mavis Pusey (1928–2019), opens at the Institute of Contemporary Art (ICA) Philadelphia on July 12 and runs through December 7. Co-organized with the Studio Museum in Harlem, where it will travel in spring 2027, the exhibition features over 50 years of Pusey’s work in geometric abstraction, including paintings, prints, and works on paper. It highlights her Broken Construction series (1960s–1990s) and incorporates photographs, personal notes, and archival materials to contextualize her practice.