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top ukrainian art historian believes italian museum holds 14 fake russian and ukrainian modernist works 1234767043

Konstantin Akinsha, a prominent curator and art historian of Russian and Ukrainian art, has identified 14 artworks in the collection of the Palazzo de Nordis museum in Cividale del Friuli, Italy, as likely forgeries. In a Substack post and interview with ARTnews, Akinsha scrutinized the De Martiis Collection, donated in 2015 by the late collector Giancarlo De Martiis, which includes works attributed to Russian and Ukrainian modernist painters. He points to suspicious provenances involving Jean Chauvelin, a disgraced French art dealer, and Boris Gribanov, a convicted forger. A specific still life attributed to Olga Rozanova (1915-17) is nearly identical to a 1999 painting by contemporary Russian artist Andrei Saratov, who confirmed he did not paint the museum's version. Elisabetta Gottardo, the municipal head of culture, acknowledged Akinsha's authority and pledged further investigation.

Back into the Fray: Fall’s Must-See Museum Shows

Boston Art Review (BAR) has published a guide to must-see museum exhibitions for fall 2026, highlighting major shows across the United States. The article curates a selection of institutional presentations that are expected to draw significant attention during the autumn season, though the specific exhibitions and venues are not detailed in the provided text.

Black Artists Inspire

The Mead Art Museum at Amherst College is currently hosting two concurrent exhibitions celebrating Black art. The first is 'Kwame Brathwaite: Revolutionary Movements,' a photography exhibition showcasing the work of the late photographer Kwame Brathwaite, curated in partnership with his family. The second is the ninth annual Black Art Matters exhibition, featuring works by current Amherst students, organized in collaboration with several campus cultural organizations.

Exhibitions Celebrate Mead’s 75th Anniversary

The Mead Art Museum celebrated its 75th anniversary with a fall installation featuring three distinct exhibitions: Swapnaa Tamhane's immersive textile work "Spaces That Hold," "A Contentious Legacy: Paintings from Soviet Ukraine," and "Re/Presenting: An Activity Gallery." The opening transformed the museum into an interactive space where visitors could lie down, sit, or sing among hanging block-printed textiles, challenging traditional gallery norms. Tamhane's "Mobile Palace" (2020–2021), created with artisans Salemamad Khatri and Mukesh Prajapati, reinterprets Le Corbusier's Mill Owners' Association building as an ornament, while the Soviet Ukraine exhibition presents paintings from the 1960s–1980s that navigated propaganda and creative expression under state censorship.