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Daegu Photo Biennale tackles the Anthropocene

The Daegu Photo Biennale in South Korea, now in its 10th edition, tackles the Anthropocene through the lens of symbiosis, featuring three main exhibitions: 'The Pulse of Life', 'The Origin of the World', and a solo show by Rinko Kawauchi titled 'M/E On this Sphere Endlessly Interlinking'. Artistic director Emmanuelle de l’Ecotais, a former curator at Centre Pompidou and Musée d’Art Moderne de Paris, leads the biennale, which includes 80 artists in the main exhibition and 75 in the special exhibition, alongside emerging artist showcases, a symposium, a photobook exhibition, and a portfolio review, all spread across 4,000 square meters at the Daegu Culture and Arts Center.

Never-before-seen landscape photos on display at Denver Art Museum

The Denver Art Museum has opened a new photography exhibition titled "What We've Been Up To: Landscape," featuring works acquired over the past 17 years that have never been publicly displayed before. The show, curated by the museum's photography department (established in 2008), includes a range of landscape photographs from historic images by Ansel Adams, Marion Post Wolcott, and William Henry Jackson to contemporary works by artists such as Abelardo Morell, Meghann Riepenhoff, and Steve Fitch. The exhibition occupies a few rooms on the sixth floor of the Martin Building and highlights the museum's recent acquisitions in photography.

Denver Art Museum presents photography exhibition What We’ve Been Up to: Landscape

The Denver Art Museum has opened a new photography exhibition titled *What We’ve Been Up to: Landscape*, featuring works by over a dozen artists including Meghann Riepenhoff, Masao Yamamoto, Linda Conner, Terri Weifenbach, Tanya Marcuse, Christina Fernandez, Patrick Nagatani, Zora J. Murff, Marion Post Wolcott, William Henry Jackson, Mary Peck, Abelardo Morell, Steve Fitch, John Ganis, Frank Gohlke, and Henry Wessel, Jr. The photographs are loosely grouped by theme—ranging from intimate nature studies and scenic beauty to technology’s imprint and difficult histories of slavery, Indigenous conflict, and natural disasters. A related lecture by Terri Weifenbach is scheduled for September 30, 2025.